3rd Nov, 2023 11:00
Fine Netsuke & Sagemono
11
AN EARLY THREE-CASE LACQUER INRO WITH TEA CEREMONY UTENSILS (CHADOGU)
Sold for €1,040
including Buyer's Premium
Unsigned
Japan, late 17th to early 18th century, Edo period (1605-1868)
The early, small three-case inro of rectangular and oval form, bearing a roiro ground, decorated in takamaki-e with hiramaki-e details, depicting a large natsume (tea caddy) decorated with gold kiku (chrysanthemum) blossoms, sitting on a brocade cloth with various geometric designs and kiku medallions. The reverse with a gold-splashed chawan (tea bowl) resting on the cloth. The top and sides embellished with further kiku motifs. The interior cases of nashiji with gold fundame rims.
HEIGHT 5.6 cm, LENGTH 5.2 cm
Condition: Good condition with typical wear along the edges, tiny losses, and some surface scratches.
Provenance: Hotel des ventes Giroux, 4 October 1947, Brussels. Galerie Duval, 2 February 1949, Brussels. Collection of Robert and Isabelle de Strycker, acquired from the above and thence by descent in the same family. The upper case with an old collector’s label, ‘L 574.’ Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France’s post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976). In 1964, the couple lent 174 objects from their collection to the Belgian city of Leuven’s museum for an exhibition titled Oude kunst in Leuvens Privébezit (‘Old Art in Private Collections in Leuven’), and in 1967 they lent around thirty Japanese objects to the Royal Museums of Art and History in Brussels for their exhibition Kunst van Japan im belgischen Privatverzameingen (‘Japanese Art in Belgian Private Collections’).
Unsigned
Japan, late 17th to early 18th century, Edo period (1605-1868)
The early, small three-case inro of rectangular and oval form, bearing a roiro ground, decorated in takamaki-e with hiramaki-e details, depicting a large natsume (tea caddy) decorated with gold kiku (chrysanthemum) blossoms, sitting on a brocade cloth with various geometric designs and kiku medallions. The reverse with a gold-splashed chawan (tea bowl) resting on the cloth. The top and sides embellished with further kiku motifs. The interior cases of nashiji with gold fundame rims.
HEIGHT 5.6 cm, LENGTH 5.2 cm
Condition: Good condition with typical wear along the edges, tiny losses, and some surface scratches.
Provenance: Hotel des ventes Giroux, 4 October 1947, Brussels. Galerie Duval, 2 February 1949, Brussels. Collection of Robert and Isabelle de Strycker, acquired from the above and thence by descent in the same family. The upper case with an old collector’s label, ‘L 574.’ Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France’s post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976). In 1964, the couple lent 174 objects from their collection to the Belgian city of Leuven’s museum for an exhibition titled Oude kunst in Leuvens Privébezit (‘Old Art in Private Collections in Leuven’), and in 1967 they lent around thirty Japanese objects to the Royal Museums of Art and History in Brussels for their exhibition Kunst van Japan im belgischen Privatverzameingen (‘Japanese Art in Belgian Private Collections’).
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