3rd Nov, 2023 11:00
Fine Netsuke & Sagemono
14
A CHARMING SMALL FOUR-CASE GOLD LACQUER INRO WITH THE MOON RABBIT
Sold for €1,170
including Buyer's Premium
Unsigned
Japan, 17th century, Edo period (1615-1868)
The five-case inro lacquered in takamaki-e against a gold kinji ground, depicting the silhouette of a rabbit’s head next to three young fern shoots (warabi) inlaid in mother-of-pearl. The reverse with a large moon in pewter (mitsuda). The interior compartments of black lacquer with gold fundame edges.
HEIGHT 5.7 cm, LENGTH 4.8 cm
Condition: Worn condition with some rubbing to lacquer, few losses, particularly to the pewter-inlaid moon, and some crackling throughout.
Provenance: Marché Biron, Paris, April 1943. Collection of Robert and Isabelle de Strycker, acquired from the above, and thence by descent within the same family. An old collector’s label to the interior, ‘L,542.’ Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France’s post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976). In 1964, the couple lent 174 objects from their collection to the Belgian city of Leuven’s museum for an exhibition titled Oude kunst in Leuvens Privébezit (‘Old Art in Private Collections in Leuven’), and in 1967 they lent around thirty Japanese objects to the Royal Museums of Art and History in Brussels for their exhibition Kunst van Japan im belgischen Privatverzameingen (‘Japanese Art in Belgian Private Collections’).
Unsigned
Japan, 17th century, Edo period (1615-1868)
The five-case inro lacquered in takamaki-e against a gold kinji ground, depicting the silhouette of a rabbit’s head next to three young fern shoots (warabi) inlaid in mother-of-pearl. The reverse with a large moon in pewter (mitsuda). The interior compartments of black lacquer with gold fundame edges.
HEIGHT 5.7 cm, LENGTH 4.8 cm
Condition: Worn condition with some rubbing to lacquer, few losses, particularly to the pewter-inlaid moon, and some crackling throughout.
Provenance: Marché Biron, Paris, April 1943. Collection of Robert and Isabelle de Strycker, acquired from the above, and thence by descent within the same family. An old collector’s label to the interior, ‘L,542.’ Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France’s post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976). In 1964, the couple lent 174 objects from their collection to the Belgian city of Leuven’s museum for an exhibition titled Oude kunst in Leuvens Privébezit (‘Old Art in Private Collections in Leuven’), and in 1967 they lent around thirty Japanese objects to the Royal Museums of Art and History in Brussels for their exhibition Kunst van Japan im belgischen Privatverzameingen (‘Japanese Art in Belgian Private Collections’).
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