7th Nov, 2025 13:00
Fine Netsuke & Sagemono
59
IKEDA TAISHIN: A SUPERB WOVEN AND LACQUERED RATTAN KISERUZUTSU WITH A HYOTAN AND MAPLE LEAVES
€2,000
€4,000
A buyer’s premium of 30.00% (including VAT) applies to the hammer price of this lot if your bid is successful.
By Ikeda Taishin (1825-1903), signed Taishin 泰真
Japan, late 19th century, Meiji period (1868-1912)
Of muso-zutsu form, the woven ground lacquered in gold, silver, and shades of brown takamaki-e with a hyotan (double gourd) form sake vessel tied to a rope suspending tassels below a branch of maple, some of the leaves inlaid in mother-of-pearl and pewter in the distinct Rinpa style. Signed to the reverse TAISHIN in gold lacquer.
LENGTH 21.2 cm
Provenance: From the collection of Eva & Aubrey Sweet. Eva and Aubrey Sweet devoted over six decades to the formation of a distinguished private collection of Asian art, with particular strength in Chinese jade, Japanese lacquer, and netsuke. Their collecting began in the 1950s and was refined through sustained travel, scholarship, and long associations with leading dealers, curators, and artists internationally. Aubrey, a Melbourne physician who also studied acupuncture in Beijing, and Eva developed a discerning connoisseurship that balanced intuitive appreciation with systematic study, supported by an extensive reference library and active participation in scholarly circles. They acquired works of historic importance as well as contemporary pieces by artists such as Susan Wraight and Unryuan (Kitamura Tatsuo), demonstrating a commitment both to tradition and to the continuity of craft. The collection, housed in their Melbourne residence and affectionately referred to by the family as “the Museum,” stands as a testament to their lifelong dedication to the aesthetic and cultural values of Asian art.
Condition: Good condition with minor surface wear and losses to the lacquered ground as visible in the images provided.
Ikeda Taishin (1825-1903) was the leading pupil of Shibata Zeshin who worked in the Meiji period. He was born in Edo and became Zeshin’s first lacquer apprentice in 1835 at the age of eleven. He became an independent artist around 1870, approximately 35 years later. Together with Kawanobe Itcho (Genjiro; 1830-1910), Taishin was appointed an Artist to the Imperial Household (Teishitsu gigeiin) in 1896. His pupils included Umezawa Ryushin, a member of the Art committee of the Imperial Fine Arts Academy and the Imperial Household.
Auction comparison:
Compare a closely related lacquered wood kiseruzutsu with hyotan and maple leaves by Ikeda Taishin, at Bonhams, Fine Japanese Works of Art, 20 March 2012, New York, lot 2191 (sold for USD 4,750 or approx. EUR 5,700 converted and adjusted for inflation at the time of writing).
By Ikeda Taishin (1825-1903), signed Taishin 泰真
Japan, late 19th century, Meiji period (1868-1912)
Of muso-zutsu form, the woven ground lacquered in gold, silver, and shades of brown takamaki-e with a hyotan (double gourd) form sake vessel tied to a rope suspending tassels below a branch of maple, some of the leaves inlaid in mother-of-pearl and pewter in the distinct Rinpa style. Signed to the reverse TAISHIN in gold lacquer.
LENGTH 21.2 cm
Provenance: From the collection of Eva & Aubrey Sweet. Eva and Aubrey Sweet devoted over six decades to the formation of a distinguished private collection of Asian art, with particular strength in Chinese jade, Japanese lacquer, and netsuke. Their collecting began in the 1950s and was refined through sustained travel, scholarship, and long associations with leading dealers, curators, and artists internationally. Aubrey, a Melbourne physician who also studied acupuncture in Beijing, and Eva developed a discerning connoisseurship that balanced intuitive appreciation with systematic study, supported by an extensive reference library and active participation in scholarly circles. They acquired works of historic importance as well as contemporary pieces by artists such as Susan Wraight and Unryuan (Kitamura Tatsuo), demonstrating a commitment both to tradition and to the continuity of craft. The collection, housed in their Melbourne residence and affectionately referred to by the family as “the Museum,” stands as a testament to their lifelong dedication to the aesthetic and cultural values of Asian art.
Condition: Good condition with minor surface wear and losses to the lacquered ground as visible in the images provided.
Ikeda Taishin (1825-1903) was the leading pupil of Shibata Zeshin who worked in the Meiji period. He was born in Edo and became Zeshin’s first lacquer apprentice in 1835 at the age of eleven. He became an independent artist around 1870, approximately 35 years later. Together with Kawanobe Itcho (Genjiro; 1830-1910), Taishin was appointed an Artist to the Imperial Household (Teishitsu gigeiin) in 1896. His pupils included Umezawa Ryushin, a member of the Art committee of the Imperial Fine Arts Academy and the Imperial Household.
Auction comparison:
Compare a closely related lacquered wood kiseruzutsu with hyotan and maple leaves by Ikeda Taishin, at Bonhams, Fine Japanese Works of Art, 20 March 2012, New York, lot 2191 (sold for USD 4,750 or approx. EUR 5,700 converted and adjusted for inflation at the time of writing).
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Auction: Fine Netsuke & Sagemono, 7th Nov, 2025
We're pleased to present our final Fine Netsuke & Sagemono Auction of the year.
The sale opens with a distinguished group of fine inro, representing a wide range of materials, lacquer techniques, and artistic styles. Among these, a particular highlight—and one of the most significant works to appear in our rooms in recent years—is the complete inrō set by Ogawa Haritsu, illustrating The Twelve Months. First published in 1928 (F. M. Jonas – Netsuke), this exceptional set now appears on the market for the first time (lot 11).
The inrō are followed by an excellent selection of sagemono, including notable examples by the esteemed artist Hasegawa Ikko (lots 68–73). Learn more.
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Viewing
3 - 6 November 2025
10 am - 6 pm
7 November
10 am - 12 pm
as well as by appointment
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