Until 1st Jan, 2025
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A FINE MAKUZU KOZAN STUDIO CELADON-GLAZED PORCELAIN ‘HO-O’ FLOWER VASE
AK0924 - LOT 144
Studio of Makuzu Kozan (1842-1916), sealed Makuzu
Japan, 20th century
Thickly potted, the vessel in the form of a Chinese archaic ho-o bird, with its head rising from one end, its wings forming the sides, and its tail curling over the end. Covered in a rich celadon glaze, pooling elegantly in the recesses, and thinning along the edges. The base with the studio seal MAKUZU.
LENGTH 21.4 cm
Condition: Excellent condition.
Provenance: Collection of James and Christine Heusinger. James and Christine Heusinger started collecting Japanese art in the late 1970s. James and Chirstine worked for a travel agency until James became a prominent carpenter, whose company renovated the office of US Vice President Dick Cheney’s office. His collection began with a modest piece by Seifu Yohei III, and expanded into over 100 pieces. They donated the majority of their pieces to the Cleveland Museum of Art, University Hospitals of Cleveland, and Oishei Children’s Hospital in Buffalo.
With a wooden tomobako storage box inscribed in Japanese, ‘Celadon flower vase by Kozan.’
Makuzu Kozan (1842-1916), also known as Miyagawa Kozan, was a potter who moved his ceramics studio from his hometown of Kyoto to the port city of Yokohama in 1870. His early works copying styles and forms derived from earlier Japanese and Chinese ceramics soon found favor with Western buyers and his business quickly expanded. Kozan’s work was also much admired within Japan and achieved special notoriety after the Meiji Emperor touched one of his vases at the First National Industrial Exhibition in 1877.
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