China, 1046-771 BC. Of elongated flattened form, the arc-shaped pendant worked in the form of a crouching tiger with legs tucked beneath the body and a furcated tail that curls upwards, pierced at the snout and tail. The translucent stone of a pale yellow tone with hues of pale celadon, cloudy inclusions and areas of white calcification.
Provenance: From the collection of Dr. Wou Kiuan. Wou Lien-Pai Museum, coll. no. E.3.21A-H. Dr. Wou Kiuan (1910-1997) was a Chinese diplomat and noted scholar of Chinese art. His father, Wou Lien-Pai (1873-1944), was one the leading political figures of early 20th century China, remembered for his role as speaker and leader of parliament during the turbulent years of the Republican era. Dr. Wou himself embarked on an illustrious career in diplomacy until his retirement in 1952, when he settled in London and devoted the rest of his life to the study of Chinese art. It was no doubt fortuitous that Dr. Wou’s years of collecting coincided with an abundant availability of exceptional Chinese art on the London market. From the mid-1950s to the late 1960s he was able to form a collection of well over 1,000 works that together represented virtually every category of Chinese art. At the heart of Dr. Wou’s drive to collect was a burning desire to preserve the relics of China’s rich historical past scattered across Europe, and to promote Chinese art and culture. It is unclear when Dr. Wou conceived the idea to create a place to house his collection, but in 1968, he opened the doors to the Wou Lien-Pai Museum, named in honor of his father. Over the years the museum became a ‘must see’ destination for collectors, academics, and visiting dignitaries, and Dr. Wou would delight in leading his visitors through the galleries, recounting stories of China’s glorious history.
Condition: Old wear, some weathering, soil encrustations, surface alterations and traces of use, all as expected. Minor nibbling. The jade had broken into three pieces and was reassembled, with associated small losses.
Weight: 18.7 g
Dimensions: Length 9.9 cm
Expert's note (added 20.2.2023): Bi disks of the Neolithic period lost their attraction to early Western Zhou dynasty nobility, leading to the repurposing of the circular bi into curved pendants that could be reworked by Western and Eastern Zhou craftsmen into attractive new forms. Such curved pendants, often in the form of birds or tigers, are frequently found amongst the artifacts from the tombs of Zhou period royalty (see image section). See Qian Yang's thesis: The Circulation of Jades in Early China (Late Neolithic – Eastern Zhou, ca. 4500 -221 B.C.).
Literature comparison:
Compare a related jade pendant depicting a tiger, 7 cm, dated late Shang to Western Zhou dynasty, in the British Museum, museum number 1945,1017.118.
Auction result comparison:
Type: Related
Auction: Sotheby’s Hong Kong, 2 April 2019, lot 3435
Price: HKD 93,750 or approx. EUR 12,000, converted and adjusted for inflation at the time of writing
Description: A jade 'tiger' pendant, Western Zhou dynasty
Expert remark: Compare the related motif, form, and pierced ends.
China, 1046-771 BC. Of elongated flattened form, the arc-shaped pendant worked in the form of a crouching tiger with legs tucked beneath the body and a furcated tail that curls upwards, pierced at the snout and tail. The translucent stone of a pale yellow tone with hues of pale celadon, cloudy inclusions and areas of white calcification.
Provenance: From the collection of Dr. Wou Kiuan. Wou Lien-Pai Museum, coll. no. E.3.21A-H. Dr. Wou Kiuan (1910-1997) was a Chinese diplomat and noted scholar of Chinese art. His father, Wou Lien-Pai (1873-1944), was one the leading political figures of early 20th century China, remembered for his role as speaker and leader of parliament during the turbulent years of the Republican era. Dr. Wou himself embarked on an illustrious career in diplomacy until his retirement in 1952, when he settled in London and devoted the rest of his life to the study of Chinese art. It was no doubt fortuitous that Dr. Wou’s years of collecting coincided with an abundant availability of exceptional Chinese art on the London market. From the mid-1950s to the late 1960s he was able to form a collection of well over 1,000 works that together represented virtually every category of Chinese art. At the heart of Dr. Wou’s drive to collect was a burning desire to preserve the relics of China’s rich historical past scattered across Europe, and to promote Chinese art and culture. It is unclear when Dr. Wou conceived the idea to create a place to house his collection, but in 1968, he opened the doors to the Wou Lien-Pai Museum, named in honor of his father. Over the years the museum became a ‘must see’ destination for collectors, academics, and visiting dignitaries, and Dr. Wou would delight in leading his visitors through the galleries, recounting stories of China’s glorious history.
Condition: Old wear, some weathering, soil encrustations, surface alterations and traces of use, all as expected. Minor nibbling. The jade had broken into three pieces and was reassembled, with associated small losses.
Weight: 18.7 g
Dimensions: Length 9.9 cm
Expert's note (added 20.2.2023): Bi disks of the Neolithic period lost their attraction to early Western Zhou dynasty nobility, leading to the repurposing of the circular bi into curved pendants that could be reworked by Western and Eastern Zhou craftsmen into attractive new forms. Such curved pendants, often in the form of birds or tigers, are frequently found amongst the artifacts from the tombs of Zhou period royalty (see image section). See Qian Yang's thesis: The Circulation of Jades in Early China (Late Neolithic – Eastern Zhou, ca. 4500 -221 B.C.).
Literature comparison:
Compare a related jade pendant depicting a tiger, 7 cm, dated late Shang to Western Zhou dynasty, in the British Museum, museum number 1945,1017.118.
Auction result comparison:
Type: Related
Auction: Sotheby’s Hong Kong, 2 April 2019, lot 3435
Price: HKD 93,750 or approx. EUR 12,000, converted and adjusted for inflation at the time of writing
Description: A jade 'tiger' pendant, Western Zhou dynasty
Expert remark: Compare the related motif, form, and pierced ends.
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Auction: Chinese Archaic Jades from Old Collections / 舊藏中國古玉, 12th Oct, 2023
Join Zacke for this noteworthy sale of 53 rare archaic masterpieces carved from jade (50), soapstone (1), and ritual bone (2), without exception sourced from renowned collectors, many of whom have long since passed away.
These old provenances include preeminent scholars of Chinese art such as Harry Geoffrey Beasley, Isabelle and Robert de Strycker, Sir Percival David, Idemitsu Sazo, Dr. Wou Kiuan, Henry Dyer, and Robert Rousset.
Two exceptional jades (1004 and 1033) from the David Taylor collection deserve special mention, as similar pieces from this provenance achieved record prices quite recently during Asia Week in New York. David Taylor, a Scottish businessman based in Belfast, was known for acquiring a notable group of Chinese jades on his extensive travels in East Asia during the early 20th century. The rather spectacular collection was kept in the family for nearly a century, well beyond David Taylor’s passing in 1952, and only surfaced at a local auction house in the United Kingdom in 2020.
We take great pride in presenting this extraordinary group of 53 ancient artworks, as showcased in our hardcover catalog, and cordially invite you to explore this one-of-a-kind opportunity.
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