Unsigned
Japan, 18^th century, Edo period (1615-1868)

Of oval form with tapering sides, the inro decorated with a finely articulated diaper patterned ground. Each side with a quadrilobed frame depicting a scholar beneath a pine tree holding a pot and the reverse with bird swooping towards a pine tree. The interior with a fine nashiji ground and gold fundame edges.

HEIGHT 8 cm, LENGTH 4.9 cm

Condition: Very good condition with minor wear, the lacquer rubbed smooth in some areas, and a greyish-white deposit to one area that can be rubbed off.
Provenance: Hôtel des ventes Giroux, Brussels, 4 October 1947. Collection of Robert and Isabelle de Strycker, acquired from the above. Old label to the interior, ‘N, 614.’ Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France’s post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Chinese art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Japanese and Chinese works of art. In 1938 they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976). In 1964, the couple lent 174 objects from their collection to the Belgian city of Leuven’s museum for an exhibition titled Oude kunst in Leuvens Privébezit (‘Old Art in Private Collections in Leuven’), and in 1967 they lent around thirty Japanese objects to the Royal Museums of Art and History in Brussels for their exhibition Kunst van Japan im belgischen Privatverzameingen (‘Japanese Art in Belgian Private Collections’).