Published: Ursula Toyka-Fuong, Ikonographie und Symbolik des Tibetischen Buddhismus: Die Kultplastiken der Sammlung Ernst Senner, Wiesbaden, 1987, p. 64-65, no. C 25.
Finely cast, seated in dhyanasana on a double lotus base, his right hand lowered in bhumisparsha mudra and his left resting in his lap. He is clad in a diaphanous dhoti with neatly incised hems, a billowing scarf wrapped around his arms and forming a semi-circle behind him, and richly adorned with beaded jewelry. His serene face with almond-shaped eyes, a broad nose, and full lips forming a benevolent smile, his hair arranged in a tall chignon surmounted by the three jewels behind a five-paneled foliate tiara.
Provenance: From the private collection of Dr. Ernst Senner, acquired between 1950 and 1987, thence by descent. The base inscribed with an old inventory number, ‘BT101’.
Condition: Very good condition with expected old wear and casting irregularities, small nicks, light scratches, minor dents and losses. The bronze with a fine, naturally grown, dark patina. The base sealed.
Weight: 479.9 g
Dimensions: Height 15.4 cm
Bhumisparsha mudra (the 'earth witness' gesture) is reserved for images of Buddha Shakyamuni and the Dhyani Buddha, Akshobhya. As Shakyamuni is traditionally depicted as an unadorned ascetic, the presence of the crown on this figure identifies him as Akshobhya.
Literature comparison:
Compare a related Tibetan brass figure of Akshobhya, dated to the 14th century, 45 cm high, in the British Museum, registration number 1984,0126.1.a.
Auction result comparison:
Type: Closely related
Auction: Bonhams Paris, 14 June 2022, lot 35
Price: EUR 17,850 or approx. EUR 19,000 adjusted for inflation at the time of writing
Description: A copper alloy figure of Vajrasattva, West Tibet, 13th/14th century
Expert remark: Compare the closely related modeling and manner of casting with similar expression, scarf framing the figure cast with supporting rods, and lotus base. Note the size (23.2 cm).
Published: Ursula Toyka-Fuong, Ikonographie und Symbolik des Tibetischen Buddhismus: Die Kultplastiken der Sammlung Ernst Senner, Wiesbaden, 1987, p. 64-65, no. C 25.
Finely cast, seated in dhyanasana on a double lotus base, his right hand lowered in bhumisparsha mudra and his left resting in his lap. He is clad in a diaphanous dhoti with neatly incised hems, a billowing scarf wrapped around his arms and forming a semi-circle behind him, and richly adorned with beaded jewelry. His serene face with almond-shaped eyes, a broad nose, and full lips forming a benevolent smile, his hair arranged in a tall chignon surmounted by the three jewels behind a five-paneled foliate tiara.
Provenance: From the private collection of Dr. Ernst Senner, acquired between 1950 and 1987, thence by descent. The base inscribed with an old inventory number, ‘BT101’.
Condition: Very good condition with expected old wear and casting irregularities, small nicks, light scratches, minor dents and losses. The bronze with a fine, naturally grown, dark patina. The base sealed.
Weight: 479.9 g
Dimensions: Height 15.4 cm
Bhumisparsha mudra (the 'earth witness' gesture) is reserved for images of Buddha Shakyamuni and the Dhyani Buddha, Akshobhya. As Shakyamuni is traditionally depicted as an unadorned ascetic, the presence of the crown on this figure identifies him as Akshobhya.
Literature comparison:
Compare a related Tibetan brass figure of Akshobhya, dated to the 14th century, 45 cm high, in the British Museum, registration number 1984,0126.1.a.
Auction result comparison:
Type: Closely related
Auction: Bonhams Paris, 14 June 2022, lot 35
Price: EUR 17,850 or approx. EUR 19,000 adjusted for inflation at the time of writing
Description: A copper alloy figure of Vajrasattva, West Tibet, 13th/14th century
Expert remark: Compare the closely related modeling and manner of casting with similar expression, scarf framing the figure cast with supporting rods, and lotus base. Note the size (23.2 cm).
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Museum Deaccessions include the Wou Lien-Pai Museum and the Zelnik István Southeast Asian Gold Museum.
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