16th Apr, 2021 13:00

Fine Netsuke & Sagemono

 
  Lot 135
 

135

SARI: A NAGOYA SCHOOL WOOD NETSUKE OF A SLUMBERING SHOJO

Sold for €1,830

including Buyer's Premium


Lot details

By Sari, signed Sari 左里
Japan, Nagoya, 19th century, Edo period (1615-1868)

Finely carved as a seated shojo in a deep slumber induced by a hefty amount of sake. One hand is placed in her lap and the other pressed against her cheek, supporting her heavy, ever so tired face. Her finely incised long hair covers her entire back and extends to the underside. The wood of a good color with an attractive patina. Asymmetrical himotoshi through the back and underside, the larger generously excavated to accommodate the knot. Signed within a recessed reserve SARI.

HEIGHT 3 cm, LENGTH 3.2 cm

Condition: Very good condition, fine patina. One chip to the left foot.
Provenance: German private collection.

Literature comparison:
For another netsuke with the unusual non-cursive signature Sari depicting an oni in Nagoya style see Eskenazi Ltd. (1973), Japanese Netsuke formerly in the Collection of Dr. Robert Greene, p.19, no. 35. This may be the same artist.

 

By Sari, signed Sari 左里
Japan, Nagoya, 19th century, Edo period (1615-1868)

Finely carved as a seated shojo in a deep slumber induced by a hefty amount of sake. One hand is placed in her lap and the other pressed against her cheek, supporting her heavy, ever so tired face. Her finely incised long hair covers her entire back and extends to the underside. The wood of a good color with an attractive patina. Asymmetrical himotoshi through the back and underside, the larger generously excavated to accommodate the knot. Signed within a recessed reserve SARI.

HEIGHT 3 cm, LENGTH 3.2 cm

Condition: Very good condition, fine patina. One chip to the left foot.
Provenance: German private collection.

Literature comparison:
For another netsuke with the unusual non-cursive signature Sari depicting an oni in Nagoya style see Eskenazi Ltd. (1973), Japanese Netsuke formerly in the Collection of Dr. Robert Greene, p.19, no. 35. This may be the same artist.

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