4th Nov, 2022 13:00
Fine Netsuke & Sagemono
183
TOJU: A SUPERB FOUR-CASE LACQUER INRO WITH ENTERTAINERS AND A SAMURAI
Sold for €5,850
including Buyer's Premium
By Kanshosai Toju(sai), signed Toju 桃壽 and kakihan
Japan, 19th century, Edo period (1615-1868)
Published: E. A. Wrangham, The Index of Inro Artists, 1995, p.292, Toju(sai), Kanshosai, bottom row, left (only the signature is illustrated).
The four-case inro of lenticular profile bearing a lustrous roiro ground and lacquered in brilliant gold and iro-e togidashi-e with highlights of inlaid aogai depicting two female entertainers dressed in elaborate robes and holding a fan and large hyotan, approaching a samurai on the other side, viewed from the back and wearing a jingasa and katana, standing beneath a flowering cherry tree. The brilliant togidashi work is remarkable and the roiro ground is lightly sprinkled with gold flakes producing a vivid and elegant image. The interior cases of nashiji with gold fundame edges. Signed underneath in gold TOJU with red kakihan.
SIZE 7.6 x 5.7 cm
Condition: Very good condition with only very minor wear consistent with age and use. A small repair to the underside of the bottom case and some minor flaking to lacquer to the top of the top case. Some tiny chips to edges of cases. Presents very well.
Provenance: Ex-collection Ted Wrangham, purchased from Douglas J. K Wright in 1969, Wrangham collection no. 779 (collection label in the upper case). Sold at Bonhams, The Edward Wrangham Collection Part IV, 6 November 2013, London, lot 219 (sold for 9,375 GBP). Edward A. ‘Ted’ Wrangham (1928-2009) formed one of the most important collections of Japanese Art in modern times. His reference book ‘The Index of Inro Artists’ (1995) is considered one of the most important English-language studies on Japanese lacquer ever published.
This design is reproduced in Banbutsu hinagata gafu (An Album of Designs for Everything) illustrated by Kobayashi Eitaku (1843-1890) and published in 1880-1882.
Active at the turn of the 18th-19th century, Toju is considered to be the most gifted of Iizuka Toyo's pupils and is believed to have become his successor. For further information on the artist see Earle, Joe [ed.] (1995) The Index of Inro Artists, p. 292.
By Kanshosai Toju(sai), signed Toju 桃壽 and kakihan
Japan, 19th century, Edo period (1615-1868)
Published: E. A. Wrangham, The Index of Inro Artists, 1995, p.292, Toju(sai), Kanshosai, bottom row, left (only the signature is illustrated).
The four-case inro of lenticular profile bearing a lustrous roiro ground and lacquered in brilliant gold and iro-e togidashi-e with highlights of inlaid aogai depicting two female entertainers dressed in elaborate robes and holding a fan and large hyotan, approaching a samurai on the other side, viewed from the back and wearing a jingasa and katana, standing beneath a flowering cherry tree. The brilliant togidashi work is remarkable and the roiro ground is lightly sprinkled with gold flakes producing a vivid and elegant image. The interior cases of nashiji with gold fundame edges. Signed underneath in gold TOJU with red kakihan.
SIZE 7.6 x 5.7 cm
Condition: Very good condition with only very minor wear consistent with age and use. A small repair to the underside of the bottom case and some minor flaking to lacquer to the top of the top case. Some tiny chips to edges of cases. Presents very well.
Provenance: Ex-collection Ted Wrangham, purchased from Douglas J. K Wright in 1969, Wrangham collection no. 779 (collection label in the upper case). Sold at Bonhams, The Edward Wrangham Collection Part IV, 6 November 2013, London, lot 219 (sold for 9,375 GBP). Edward A. ‘Ted’ Wrangham (1928-2009) formed one of the most important collections of Japanese Art in modern times. His reference book ‘The Index of Inro Artists’ (1995) is considered one of the most important English-language studies on Japanese lacquer ever published.
This design is reproduced in Banbutsu hinagata gafu (An Album of Designs for Everything) illustrated by Kobayashi Eitaku (1843-1890) and published in 1880-1882.
Active at the turn of the 18th-19th century, Toju is considered to be the most gifted of Iizuka Toyo's pupils and is believed to have become his successor. For further information on the artist see Earle, Joe [ed.] (1995) The Index of Inro Artists, p. 292.
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