Sold for €45,760
including Buyer's Premium
By Hikata Sessu, signed Sesshu to
Japan, c. 1900, Meiji period (1868-1912)
Superbly carved, this remarkable sculpture captures Minamoto no Yoshitsune in a moment of intense action, depicted mid-leap above two tengu. Yoshitsune is shown with one sword raised high above his head, while the other is poised above the head of one tengu, as if preparing to deliver the final blow. His finely incised robes are adorned with intricate folds and patterns, including maple leaves falling in a river. His face is calm and focused, with intense eyes, a set mouth, and meticulously carved hair that adds depth to his expression. The tengu beneath him are equally well-sculpted, with beak-like noses and finely carved wings. Their kimonos feature subtle decoration, and their hair appears to flow in the wind, topped with a tokin cap. Signed to the base SESSHU to [carved by Sesshu].
HEIGHT 28 cm
Condition: Excellent condition and presenting beautifully. A few of the separately carved swords have been re-attached. A few minor expected age cracks.
This scene is drawn from the famous legend of Yoshitsune’s training with Sojobo, the king of the tengu, on Mount Kurama. In the myth, the young Ushiwakamaru (Yoshitsune’s childhood name) is taught martial arts, swordsmanship, and supernatural agility by Sojobo, gaining skills that would define his later victories. This iconic moment represents not just a battle, but the mystical transfer of martial knowledge, symbolizing Yoshitsune’s rise to legendary status. The depiction of Yoshitsune’s training has captivated artists for centuries, blending folklore and the supernatural with Yoshitsune’s historical heroism.
Hikita Sesshu (active Meiji period) was a skilled woodcarver recognized for his dramatic and expressive woodwork. His carving of Taketori-okina (An Old Man from The Tale of the Bamboo Cutter) earned him second prize at the 7th Shin Kobijutsu Ten in 1901. Sesshu also exhibited internationally, including a 1900 presentation at the Paris Exposition, showcasing his talent on the global stage.
Museum comparison:
For another work by this exceptional artist, see a wood okimono depicting Yoshida Shoin, dated 1902, in the Kyoto University Museum, record ID RB00014115.
Expert video JPN0626
By Hikata Sessu, signed Sesshu to
Japan, c. 1900, Meiji period (1868-1912)
Superbly carved, this remarkable sculpture captures Minamoto no Yoshitsune in a moment of intense action, depicted mid-leap above two tengu. Yoshitsune is shown with one sword raised high above his head, while the other is poised above the head of one tengu, as if preparing to deliver the final blow. His finely incised robes are adorned with intricate folds and patterns, including maple leaves falling in a river. His face is calm and focused, with intense eyes, a set mouth, and meticulously carved hair that adds depth to his expression. The tengu beneath him are equally well-sculpted, with beak-like noses and finely carved wings. Their kimonos feature subtle decoration, and their hair appears to flow in the wind, topped with a tokin cap. Signed to the base SESSHU to [carved by Sesshu].
HEIGHT 28 cm
Condition: Excellent condition and presenting beautifully. A few of the separately carved swords have been re-attached. A few minor expected age cracks.
This scene is drawn from the famous legend of Yoshitsune’s training with Sojobo, the king of the tengu, on Mount Kurama. In the myth, the young Ushiwakamaru (Yoshitsune’s childhood name) is taught martial arts, swordsmanship, and supernatural agility by Sojobo, gaining skills that would define his later victories. This iconic moment represents not just a battle, but the mystical transfer of martial knowledge, symbolizing Yoshitsune’s rise to legendary status. The depiction of Yoshitsune’s training has captivated artists for centuries, blending folklore and the supernatural with Yoshitsune’s historical heroism.
Hikita Sesshu (active Meiji period) was a skilled woodcarver recognized for his dramatic and expressive woodwork. His carving of Taketori-okina (An Old Man from The Tale of the Bamboo Cutter) earned him second prize at the 7th Shin Kobijutsu Ten in 1901. Sesshu also exhibited internationally, including a 1900 presentation at the Paris Exposition, showcasing his talent on the global stage.
Museum comparison:
For another work by this exceptional artist, see a wood okimono depicting Yoshida Shoin, dated 1902, in the Kyoto University Museum, record ID RB00014115.
Expert video JPN0626
Our online bidding platform makes it easier than ever to bid in our auctions! When you bid through our website, you can take advantage of our premium buyer's terms without incurring any additional online bidding surcharges.
To bid live online, you'll need to create an online account. Once your account is created and your identity is verified, you can register to bid in an auction up to 12 hours before the auction begins.
When you register to bid in an online auction, you will need to share your intended maximum spending budget for the auction. We will then review your intended spend and set a bid limit for you. Once you have pre-registered for a live online auction, you can see your intended spend and bid limit by going to 'Account Settings' and clicking on 'Live Bidding Registrations'.
Your bid limit will be the maximum amount you can bid during the auction. Your bid limit is for the hammer price and is not affected by the buyer’s premium and VAT. For example, if you have a bid limit of €1,000 and place two winning bids for €300 and €200, then you will only be able to bid €500 for the rest of the auction. If you try to place a bid that is higher than €500, you will not be able to do so.
You can now leave absentee and telephone bids on our website!
Once you've created an account and your identity is verified, you can leave your absentee bid directly on the lot page. We will contact you when your bids have been confirmed.
Once you've created an account and your identity is verified, you can leave telephone bids online. We will contact you when your bids have been confirmed.
You can still submit absentee and telephone bids by email or fax if you prefer. Simply fill out the Absentee Bidding/Telephone bidding form and return it to us by email at [email protected] or by fax at +43 (1) 532 04 52 20. You can download the PDF from our Upcoming Auctions page.
How to Create Your Personal Zacke Account
How to Register to Bid on Zacke Live
How to Leave Absentee Bids Online
How to Leave Telephone Bids Online
创建新账号
注册Zacke Live在线直播竞拍(免平台费)
缺席投标和电话投标
We partner with best-in-class third-party partners to make it easy for you to bid online in the channel of your choice. Please note that if you bid with one of our third-party online partners, then there will be a live bidding surcharge on top of your final purchase price. You can find all of our fees here. Here's a full list of our third-party partners:
Please note that we place different auctions on different platforms. For example, in general, we only place Chinese art auctions on 51 Bid Live.
You must register to bid in person and will be assigned a paddle at the auction. Please contact us at [email protected] or +43 (1) 532 04 52 for the latest local health and safety guidelines.