13th Jun, 2025 10:00
Fine Japanese Art
223
TOMITA HIROYUKI: A LACQUERED CLAY KAMATIGAWARI CHAWAN (TEA BOWL)
Sold for €1,950
including Buyer's Premium
By Tomita Hiroyuki (b. 1977)
Japan, c. 2022
Superbly modeled as two differently shaped bowls joined in the middle, one in the form of a rounded (wa-nari) chawan completely lacquered in gold, the other featuring a jagged cylinder shape (tsutsu-gata) with exposed off-white clay texture. Adorned with a triangular diaper and liberally dripped lines glazed in gold and silver overlapping both sides and extending across the exterior and the bottom of the vessel.
With a tomobako inscribed to the cover Kinsai katamigawari, sankaku-mon chawan, TOMITA saku [a gold decoration, with Katamigawari design with triangular motif, a tea bowl, made by Tomita], with the seal Tomi.
HEIGHT 8.2 cm
Condition: Excellent condition.
The Kamatigawari design of this vessel has its origins in traditional Japanese garment construction, based on a popular kosode design from the Kamakura period to early Edo period, where different colors or patterns were employed on each side of the garment. This style originated during the Kamakura period as a method of repurposing worn or damaged kimonos, but eventually came to be associated with refined textile craftsmanship. A similar combination of design elements was incorporated into ceramic styles such as oribeyaki, a high-fired pottery technique that juxtaposes rich, fluid glazes with abstract geometric patterns, as well as makie, a lacquerware decoration technique in which designs are created by scattering adhesive metal or colored powders.
Hiroyuki Tomita (1977, Oiso-cho, Kanagawa) is a Japanese ceramicist who belongs to the Hyouge jissaku group. After learning metal casting in 1998 and studying with ceramist Mariko Ijuuin in 2000, he set up his own studio in Isehara in 2007. He has presented solo and group exhibitions in Tokyo, Osaka, Kanazawa, among other places, establishing himself as a benchmark in contemporary Japanese ceramic art.
By Tomita Hiroyuki (b. 1977)
Japan, c. 2022
Superbly modeled as two differently shaped bowls joined in the middle, one in the form of a rounded (wa-nari) chawan completely lacquered in gold, the other featuring a jagged cylinder shape (tsutsu-gata) with exposed off-white clay texture. Adorned with a triangular diaper and liberally dripped lines glazed in gold and silver overlapping both sides and extending across the exterior and the bottom of the vessel.
With a tomobako inscribed to the cover Kinsai katamigawari, sankaku-mon chawan, TOMITA saku [a gold decoration, with Katamigawari design with triangular motif, a tea bowl, made by Tomita], with the seal Tomi.
HEIGHT 8.2 cm
Condition: Excellent condition.
The Kamatigawari design of this vessel has its origins in traditional Japanese garment construction, based on a popular kosode design from the Kamakura period to early Edo period, where different colors or patterns were employed on each side of the garment. This style originated during the Kamakura period as a method of repurposing worn or damaged kimonos, but eventually came to be associated with refined textile craftsmanship. A similar combination of design elements was incorporated into ceramic styles such as oribeyaki, a high-fired pottery technique that juxtaposes rich, fluid glazes with abstract geometric patterns, as well as makie, a lacquerware decoration technique in which designs are created by scattering adhesive metal or colored powders.
Hiroyuki Tomita (1977, Oiso-cho, Kanagawa) is a Japanese ceramicist who belongs to the Hyouge jissaku group. After learning metal casting in 1998 and studying with ceramist Mariko Ijuuin in 2000, he set up his own studio in Isehara in 2007. He has presented solo and group exhibitions in Tokyo, Osaka, Kanazawa, among other places, establishing himself as a benchmark in contemporary Japanese ceramic art.
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