Sold for €15,600
including Buyer's Premium
Ancient region of Funan, Mekong Delta, 6th-7th century. Superbly carved, the Preserver of the Universe standing in samabhanga on a rectangular base, the primary hands holding a lotus bud and mace, the raised secondary hands with the conch and chakra.
Dressed in a short sampot fastened at the waist by a thin belt, centered by a bulbous fold issuing two overlapping fishtail pleats. The face is carved with a serene expression, marked by almond-shaped eyes with neatly incised pupils, an aquiline nose, and full lips forming a gentle smile, flanked by elongated earlobes, the head surmounted by a tall cylindrical mitre.
Provenance: The collection of Rino Walter Marchi, Conegliano, Italy, according to family repute acquired in the 1970’s in London and imported to Italy in 1978. Collection of Leonardo Vigorelli, Bergamo, Italy, acquired from the Marchi family in 2016. Leonardo Vigorelli, a retired Italian art dealer and renowned collector, once specialized in African and ancient Hindu-Buddhist art. With a background in anthropology and decades of travel and field research across India, the Himalayas, Southeast Asia, and Africa, he founded the prestigious Dalton Somaré art gallery in Milan, now managed by his two sons.
Condition: Very good condition, commensurate with age. Wear, signs of weathering and erosion, encrustations, obvious losses, nicks, scratches, chips.
Dimensions: Height 153 cm (incl. base), 112 cm (excl. base)
Nearly all discovered stone sculptures in the Phnom Da style appear to be associated with Vishnu and his incarnations, as exemplified by this piece. The Phnom Da style is notably cohesive and consistent, exhibiting less variation compared to other stylistic periods. This uniformity suggests a focused artistic vision, reflecting a deep reverence for Vishnu and his realm, as well as a clear dedication to maintaining a specific aesthetic throughout the period.
Literature comparison:
Compare a closely related sandstone figure of Vishnu, Tuol Dai Buon, Pre-Angkor period, Phnom Da, 6th century, 192 cm tall, in the NMC, accession number Ka.1597, illustrated by Helen Ibbitson Jessup (ed.), Millennium of Glory: Sculpture of Angkor, Washington, 1997, p. 168.
Auction result comparison:
Type: Closely related
Auction: Christie’s Paris, 20 November 2003, lot 407
Price: EUR 43,475 or approx. EUR 61,500 adjusted for inflation at the time of writing
Description: A sandstone figure of Vishnu, pre-Angkor, Phom Da style, 7th century
Expert remark: Compare the closely related subject, modeling, and manner of carving, with similar fishtail pleat to the sampot. Note the different size (43 cm).
Ancient region of Funan, Mekong Delta, 6th-7th century. Superbly carved, the Preserver of the Universe standing in samabhanga on a rectangular base, the primary hands holding a lotus bud and mace, the raised secondary hands with the conch and chakra.
Dressed in a short sampot fastened at the waist by a thin belt, centered by a bulbous fold issuing two overlapping fishtail pleats. The face is carved with a serene expression, marked by almond-shaped eyes with neatly incised pupils, an aquiline nose, and full lips forming a gentle smile, flanked by elongated earlobes, the head surmounted by a tall cylindrical mitre.
Provenance: The collection of Rino Walter Marchi, Conegliano, Italy, according to family repute acquired in the 1970’s in London and imported to Italy in 1978. Collection of Leonardo Vigorelli, Bergamo, Italy, acquired from the Marchi family in 2016. Leonardo Vigorelli, a retired Italian art dealer and renowned collector, once specialized in African and ancient Hindu-Buddhist art. With a background in anthropology and decades of travel and field research across India, the Himalayas, Southeast Asia, and Africa, he founded the prestigious Dalton Somaré art gallery in Milan, now managed by his two sons.
Condition: Very good condition, commensurate with age. Wear, signs of weathering and erosion, encrustations, obvious losses, nicks, scratches, chips.
Dimensions: Height 153 cm (incl. base), 112 cm (excl. base)
Nearly all discovered stone sculptures in the Phnom Da style appear to be associated with Vishnu and his incarnations, as exemplified by this piece. The Phnom Da style is notably cohesive and consistent, exhibiting less variation compared to other stylistic periods. This uniformity suggests a focused artistic vision, reflecting a deep reverence for Vishnu and his realm, as well as a clear dedication to maintaining a specific aesthetic throughout the period.
Literature comparison:
Compare a closely related sandstone figure of Vishnu, Tuol Dai Buon, Pre-Angkor period, Phnom Da, 6th century, 192 cm tall, in the NMC, accession number Ka.1597, illustrated by Helen Ibbitson Jessup (ed.), Millennium of Glory: Sculpture of Angkor, Washington, 1997, p. 168.
Auction result comparison:
Type: Closely related
Auction: Christie’s Paris, 20 November 2003, lot 407
Price: EUR 43,475 or approx. EUR 61,500 adjusted for inflation at the time of writing
Description: A sandstone figure of Vishnu, pre-Angkor, Phom Da style, 7th century
Expert remark: Compare the closely related subject, modeling, and manner of carving, with similar fishtail pleat to the sampot. Note the different size (43 cm).
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