11th Oct, 2023 11:00
THREE-DAY AUCTION - Fine Chinese Art / 中國藝術集珍 / Buddhism & Hinduism
24
A GRAY AND BLACK JADE ‘DRAGON’ PENDANT, MING DYNASTY
明代灰黑玉龍紋佩
€1,500
€3,000
A buyer’s premium of 30.00% (including VAT) applies to the hammer price of this lot if your bid is successful.
China, 1368-1644. Of flattened form and boldly carved in openwork to depict a sinuous dragon, its body finely decorated with partly interlocking C-scrolls, the long curved horn and curling tail neatly incised, the mouth pierced with a small aperture. The finely polished, translucent jade of a pale gray tone with a black patch, icy inclusions, and russet veins.
Provenance: From the collection of Dr. Wou Kiuan. Wou Lien-Pai Museum, coll. no. T.7.6. Dr. Wou Kiuan (1910-1997) was a Chinese diplomat and noted scholar of Chinese art. His father, Wou Lien-Pai (1873-1944), was one the leading political figures of early 20th century China, remembered for his role as speaker and leader of parliament during the turbulent years of the Republican era. Dr. Wou himself embarked on an illustrious career in diplomacy until his retirement in 1952, when he settled in London and devoted the rest of his life to the study of Chinese art. It was no doubt fortuitous that Dr. Wou’s years of collecting coincided with an abundant availability of exceptional Chinese art on the London market. From the mid-1950s to the late 1960s he was able to form a collection of well over 1,000 works that together represented virtually every category of Chinese art. At the heart of Dr. Wou’s drive to collect was a burning desire to preserve the relics of China’s rich historical past scattered across Europe, and to promote Chinese art and culture. It is unclear when Dr. Wou conceived the idea to create a place to house his collection, but in 1968, he opened the doors to the Wou Lien-Pai Museum, named in honor of his father. Over the years the museum became a ‘must see’ destination for collectors, academics, and visiting dignitaries, and Dr. Wou would delight in leading his visitors through the galleries, recounting stories of China’s glorious history.
Condition: Very good condition with expected old wear, minimal signs of weathering and erosion, minor nibbling to the edges, and few small nicks. The stone with natural fissures, some of which may have developed into small hairline cracks.
Weight: 47.1 g
Dimensions: Length 8.6 cm
Please click here to read the full description
Auction result comparison:
Type: Related
Auction: Sotheby’s London, 2 November 2022, lot 255
Price: GBP 5,040 or approx. EUR 7,000 converted and adjusted for inflation at the time of writing
Description: A gray and black jade ‘dragon’ plaque, Ming dynasty
Expert remark: Compare the closely related manner of carving with similar C-scroll and gray and black color. Note the slightly different form with multiple heads, and the size (11.4 cm).
点此阅读中文翻译 (Chinese Translation)
明代灰黑玉龍紋佩
中國，1368-1644 年。扁平形，雕刻一條蜿蜒的龍，其身體上飾有雲紋，長而彎曲的角和尾巴線條簡潔，嘴上穿有一個小孔。精細拋光的半透明玉，呈淺灰色調，帶有黑色斑塊、白色絮狀物和赤褐色紋理。
來源：吳權博士收藏；吳蓮伯美術館，館藏編號T.7.6。吳權(1910-1997)博士 曾是一位中國外交家以及知名中國藝術收藏家。他的父親吳蓮伯 (1873-1944)先生曾是二十世紀初中國重要政治人物，因在民國動蕩歲月中擔任國會議員及議長而聞名。1952 年，吳博士在外交領域走上了輝煌之路，直到他退休後定居倫敦，並將餘生奉獻給了對中國藝術的研究。毫無疑問，吳權博士多年的收藏，與大量中國藝術珍品現身倫敦藝術市場上時間點相呼應，這無疑是幸運的。從 1950 年代中期到 1960 年代後期，他收集了 1,000 多件藏品，涵蓋了中國藝術的每一個門類。吳博士之所以收藏，其原因主要是爲保護散落歐洲各地的中國文物與推廣中國藝術與文化。尚不清楚吳博士何時想到創建一個美術館來歸置他的收藏的，但在 1968 年，他打開了以他父親的名字命名的 吳蓮伯美術館的大門。多年來，美術館已成為收藏家、學者和來訪政要的必經之地，而吳博士總是很樂意給參觀者介紹美術館，講述中國光輝歷史的故事。
品相：狀況非常好，有磨損，風化和輕微侵蝕跡像，邊緣有輕微的磕損，並且有一些小刻痕。玉石上有天然裂縫，有的可能發展成細小裂縫。
重量：47.1 克
尺寸：長8.6 厘米
拍賣結果比較：
形制：相近
拍賣：倫敦蘇富比，2022年11月2日，lot 255
價格：GBP 5,040（相當於今日EUR 7,000）
描述：明灰玉仿古龍紋珮
專家評論：比較非常相近雕刻風格和灰黑玉。請注意不同的外形和多頭和尺寸 (11.4 釐米)。
China, 1368-1644. Of flattened form and boldly carved in openwork to depict a sinuous dragon, its body finely decorated with partly interlocking C-scrolls, the long curved horn and curling tail neatly incised, the mouth pierced with a small aperture. The finely polished, translucent jade of a pale gray tone with a black patch, icy inclusions, and russet veins.
Provenance: From the collection of Dr. Wou Kiuan. Wou Lien-Pai Museum, coll. no. T.7.6. Dr. Wou Kiuan (1910-1997) was a Chinese diplomat and noted scholar of Chinese art. His father, Wou Lien-Pai (1873-1944), was one the leading political figures of early 20th century China, remembered for his role as speaker and leader of parliament during the turbulent years of the Republican era. Dr. Wou himself embarked on an illustrious career in diplomacy until his retirement in 1952, when he settled in London and devoted the rest of his life to the study of Chinese art. It was no doubt fortuitous that Dr. Wou’s years of collecting coincided with an abundant availability of exceptional Chinese art on the London market. From the mid-1950s to the late 1960s he was able to form a collection of well over 1,000 works that together represented virtually every category of Chinese art. At the heart of Dr. Wou’s drive to collect was a burning desire to preserve the relics of China’s rich historical past scattered across Europe, and to promote Chinese art and culture. It is unclear when Dr. Wou conceived the idea to create a place to house his collection, but in 1968, he opened the doors to the Wou Lien-Pai Museum, named in honor of his father. Over the years the museum became a ‘must see’ destination for collectors, academics, and visiting dignitaries, and Dr. Wou would delight in leading his visitors through the galleries, recounting stories of China’s glorious history.
Condition: Very good condition with expected old wear, minimal signs of weathering and erosion, minor nibbling to the edges, and few small nicks. The stone with natural fissures, some of which may have developed into small hairline cracks.
Weight: 47.1 g
Dimensions: Length 8.6 cm
Please click here to read the full description
Auction result comparison:
Type: Related
Auction: Sotheby’s London, 2 November 2022, lot 255
Price: GBP 5,040 or approx. EUR 7,000 converted and adjusted for inflation at the time of writing
Description: A gray and black jade ‘dragon’ plaque, Ming dynasty
Expert remark: Compare the closely related manner of carving with similar C-scroll and gray and black color. Note the slightly different form with multiple heads, and the size (11.4 cm).
点此阅读中文翻译 (Chinese Translation)
明代灰黑玉龍紋佩
中國，1368-1644 年。扁平形，雕刻一條蜿蜒的龍，其身體上飾有雲紋，長而彎曲的角和尾巴線條簡潔，嘴上穿有一個小孔。精細拋光的半透明玉，呈淺灰色調，帶有黑色斑塊、白色絮狀物和赤褐色紋理。
來源：吳權博士收藏；吳蓮伯美術館，館藏編號T.7.6。吳權(1910-1997)博士 曾是一位中國外交家以及知名中國藝術收藏家。他的父親吳蓮伯 (1873-1944)先生曾是二十世紀初中國重要政治人物，因在民國動蕩歲月中擔任國會議員及議長而聞名。1952 年，吳博士在外交領域走上了輝煌之路，直到他退休後定居倫敦，並將餘生奉獻給了對中國藝術的研究。毫無疑問，吳權博士多年的收藏，與大量中國藝術珍品現身倫敦藝術市場上時間點相呼應，這無疑是幸運的。從 1950 年代中期到 1960 年代後期，他收集了 1,000 多件藏品，涵蓋了中國藝術的每一個門類。吳博士之所以收藏，其原因主要是爲保護散落歐洲各地的中國文物與推廣中國藝術與文化。尚不清楚吳博士何時想到創建一個美術館來歸置他的收藏的，但在 1968 年，他打開了以他父親的名字命名的 吳蓮伯美術館的大門。多年來，美術館已成為收藏家、學者和來訪政要的必經之地，而吳博士總是很樂意給參觀者介紹美術館，講述中國光輝歷史的故事。
品相：狀況非常好，有磨損，風化和輕微侵蝕跡像，邊緣有輕微的磕損，並且有一些小刻痕。玉石上有天然裂縫，有的可能發展成細小裂縫。
重量：47.1 克
尺寸：長8.6 厘米
拍賣結果比較：
形制：相近
拍賣：倫敦蘇富比，2022年11月2日，lot 255
價格：GBP 5,040（相當於今日EUR 7,000）
描述：明灰玉仿古龍紋珮
專家評論：比較非常相近雕刻風格和灰黑玉。請注意不同的外形和多頭和尺寸 (11.4 釐米)。
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Auction: THREE-DAY AUCTION - Fine Chinese Art / 中國藝術集珍 / Buddhism & Hinduism, 11th Oct, 2023
Join Zacke for a three-day live auction event featuring 741 works of art from countries as large as China, India, or Indonesia, from the Himalayan valleys and plateaus of Tibet, Nepal, Kashmir, and Pakistan, from the Southeast Asian peoples of Vietnam, Cambodia, Laos, Thailand, and Myanmar, as well as from the steppes of Central Asia to the plains of Mongolia, and from the Northern Indian basin to the island of Sri Lanka.
A pinnacle event of our autumn calendar – the flagship auction – will take place on Day 1 of the sale (lots 1-247), featuring many important pieces from renowned collections, among them an Imperial Falangcai miniature vase (lot 102), the Ming Dynasty’s largest surviving Zitan figure (lot 187), and an Imperial robe made for the Empress Dowager Cixi (lot 201).
The general auction will follow on Day 2 (lots 248-436) and on Day 3 (lots 437-748), offering items for avid art collectors and first-time buyers alike.
Notable Collector’s Provenances include the Zande Lou Collection, built by J.M. Hu, one of the world’s greatest connoisseurs of Chinese ceramics; James J. Lally, New York, a preeminent scholar of Asian art; Dr. Wou Kiuan, diplomat and founder of the Wou Lien-Pai museum; Zhang Boju, China’s celebrated art collector who was also known as one of the ‘Four Young Princes’; as well as many prestigious names such as Anton Exner, Adolphe Stoclet, Adrian Maynard, Dr. Elsa Graser, Charles Oswald Lidell, George Hathaway Taber, the Chasseloup-Laubat Family, Madame Safia Sassi, John Marsing, Leonardo Vigorelli, American tattoo artist Ed Hardy, and Academy Award winners Michael Phillips and Anthony Powell.
Historic Gallery and Dealership Provenances include Spink & Son, Galerie Jacques Barrère, Michel Beurdeley, E&J Frankel, Hugh Moss, Clare Chu, the Bernheimer Collection, Bluett & Sons, John Sparks, Marsha Vargas, Robert Kleiner, S. Bernstein & Co, Cohen & Cohen, and Michael Goedhuis.
Museum Deaccessions include the Cranmore Ethnographical Museum, the Norton Museum of Art, the Walters Art Museum, the Wou Lien-Pai, the Idemitsu, and the Zelnik István Asian Gold Museum.
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