22nd Apr, 2022 13:00

Fine Netsuke & Sagemono

 
  Lot 289
 

289

A RARE EBONY GYODO (RELIGIOUS) MASK NETSUKE OF DOKEN

Sold for €1,896

including Buyer's Premium


Lot details

Inscribed Doken 道顕
Japan, 18th century, Edo period (1615-1868)

Boldly carved with a fine expression, the pupils inlaid with pewter, the hair, brows, beard, and mustache neatly incised, with an unusual headdress. The reverse with a large central himotoshi bar inscribed Doken.

HEIGHT 6 cm

Condition: Very good condition with minor surface wear.
Provenance: Ex-collection Dr. Walter Heihs. Sotheby’s, 17 June 1998, London, lot 735 (where the inscription was transcribed as Gendo). European collection P. Jacquesson, acquired from the above.

Doken was a monk of the Asuka period, who came from Goguryeo (present-day Korea) and arrived in Japan during the 7th century. Out of reverence for past masters and historical figures, mask netsuke (particularly religious masks such as the present example) were often not signed by the artist but rather inscribed with the name of the subject.

Literature comparison:
Compare a related ebony mask netsuke of Koshikaki, also inscribed with the name of the subject, illustrated in Bushell, Raymond (1985) Netsuke Masks, pl. 28.

 

Inscribed Doken 道顕
Japan, 18th century, Edo period (1615-1868)

Boldly carved with a fine expression, the pupils inlaid with pewter, the hair, brows, beard, and mustache neatly incised, with an unusual headdress. The reverse with a large central himotoshi bar inscribed Doken.

HEIGHT 6 cm

Condition: Very good condition with minor surface wear.
Provenance: Ex-collection Dr. Walter Heihs. Sotheby’s, 17 June 1998, London, lot 735 (where the inscription was transcribed as Gendo). European collection P. Jacquesson, acquired from the above.

Doken was a monk of the Asuka period, who came from Goguryeo (present-day Korea) and arrived in Japan during the 7th century. Out of reverence for past masters and historical figures, mask netsuke (particularly religious masks such as the present example) were often not signed by the artist but rather inscribed with the name of the subject.

Literature comparison:
Compare a related ebony mask netsuke of Koshikaki, also inscribed with the name of the subject, illustrated in Bushell, Raymond (1985) Netsuke Masks, pl. 28.

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