22nd Apr, 2022 13:00

Fine Netsuke & Sagemono

 
  Lot 292
 

292

KANO TESSAI: A RARE WOOD MASK NETSUKE OF A SHISHI WITH MOVEABLE JAW AND EARS

Sold for €2,022

including Buyer's Premium


Lot details

By Kano Tessai (1845-1925), signed Tessai 鐵哉 to 刀 with kakihan
Japan, Nara, late 19th to early 20th century

Published: Bushell, Raymond (1985) Netsuke Masks, pl. 245

The shishi with fierce expression, the eyes painted with sumi, the flame-like brows and curled mane finely incised, the floppy ears and the lower jar are movable, the back with a single himotoshi and the signature TESSAI to [carved by Tessai] with a kakihan.

LENGTH 3.7 cm

Condition: Very good condition with minor surface wear.
Provenance: Ex-collection Raymond Bushell. Sotheby’s, 21 March 2001, New York. European collection P. Jacquesson, acquired from the above.

Kano Tessai (1845-1925) came from a Gifu family and started his life as a Buddhist priest, though his father instructed him in the art of carving. He studied Chinese literature and drawing and was a professor at Tokyo art school in 1872. He was also on the examining committee for investigating the ancient art of Japan and subsequently went to Nara where he engaged in the reproductions of old objects of art, such as the present example.

The subject is most unusual for Tessai.

 

By Kano Tessai (1845-1925), signed Tessai 鐵哉 to 刀 with kakihan
Japan, Nara, late 19th to early 20th century

Published: Bushell, Raymond (1985) Netsuke Masks, pl. 245

The shishi with fierce expression, the eyes painted with sumi, the flame-like brows and curled mane finely incised, the floppy ears and the lower jar are movable, the back with a single himotoshi and the signature TESSAI to [carved by Tessai] with a kakihan.

LENGTH 3.7 cm

Condition: Very good condition with minor surface wear.
Provenance: Ex-collection Raymond Bushell. Sotheby’s, 21 March 2001, New York. European collection P. Jacquesson, acquired from the above.

Kano Tessai (1845-1925) came from a Gifu family and started his life as a Buddhist priest, though his father instructed him in the art of carving. He studied Chinese literature and drawing and was a professor at Tokyo art school in 1872. He was also on the examining committee for investigating the ancient art of Japan and subsequently went to Nara where he engaged in the reproductions of old objects of art, such as the present example.

The subject is most unusual for Tessai.

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