17th Oct, 2024 11:00
TWO-DAY AUCTION: Fine Asian Art, Buddhism and Hinduism
39
† A PAINTED LIMESTONE FIGURE OF WILLOW GUANYIN, NORTHERN ZHOU-SUI DYNASTY
€7,500
€15,000
A buyer’s premium of 30.00% (including VAT) applies to the hammer price of this lot if your bid is successful.
Expert authentication: Dr. Chang Qing, a renowned scholar and professor specializing in Chinese and Buddhist art, has authenticated this lot as being in the typical style of the Northern Zhou or Sui period, identifying it as the left attendant to a figure of Buddha. The statue’s slender form and ornamentation are reminiscent of Buddhist limestone sculptures found in Shaanxi province, the heart of the Northern Zhou and Sui empires. A notarized copy of Dr. Chang's expertise, dated April 21, 2021, in the State of New York, accompanies this lot.
Dr. Chang holds a Ph.D. in Art History from the University of Kansas and has held prestigious positions, including post-doctoral fellow at the Metropolitan Museum of Art and senior research fellow at the Freer and Sackler Galleries of the Smithsonian Institute. He has conducted extensive research in China, participating in archaeological excavations at various historical sites. Dr. Chang is the author of several influential works, including Compassionate Beings in Metal and Stone: Chinese Buddhist Sculptures from The Freer Gallery of Art (2016) and Light of the Buddha in the Desert: Essays on Mogao Grottoes in Dunhuang from 5th-14th Centuries (2012). He is currently a professor at Arts College, Sichuan University.
China, 557-618. Finely carved standing in samabhanga on a circular lotus dais inserted into a separately carved petal-form base raised on a square plinth with a small Buddhist lion to each corner. The Boddhisattva of Compassion with the left hand lowered holding an amphora and the right hand raised grasping a willow branch. Richly adorned with long flowing robes, billowing shawls, beaded necklaces and chains, all falling in skillfully detailed graceful curves over the pleated dhoti.
The serene face of Guanyin shows downcast eyes, arched brows, and full bow-shaped lips forming a gentle smile. Her hair is arranged in an elaborate chignon, backed by an intricately detailed diadem of twisted, beaded, and jeweled strands.
Provenance: From a private collection in New York, United States.
Condition: Good condition, commensurate with age. Ancient wear, signs of weathering and erosion, encrustations, structural cracks and fissures, nicks, losses, chips, and abrasions. Extensive remnants of old pigments. The base with some old repairs.
Dimensions: Height 105 cm (excl. stand), 112 cm (incl. stand) (two separate pieces)
Regal in countenance and adornment, this rare figure effortlessly bridges the aesthetic style of the Northern Zhou and Sui dynasties. The annexation in 553 of Sichuan by China’s northwest (then ruled by the Western Wei dynasty) is essential in understanding the formation of Northern Zhou bodhisattva images. The Northern Zhou style is marked by lavish surface decoration, stemmed from the aesthetic of the northwest and was transmitted from India, forging deep roots in Sichuanese Buddhist art. As seen on the present carving, figures of this period were heavily adorned with necklaces and ornate crowns, thus accentuating their sense of mass.
While further aspects of Northern Zhou carving, such as the columnar body surmounted by a square head with broad nose and lips, remain, the characteristic stockiness has been replaced by a refined lengthening of the silhouette which is typical of Sui dynasty figures. This is evident in the slender waist, emphasized by the sash that is draped over the shoulders and meets at the front and back with a clasp, and the tassel hanging from the center of the necklace.
The subject can be identified as Avalokiteshvara, known as Guanyin in China. Characteristically, the deity carries in her left hand a vase, a 'pure water bottle', one of the eight symbols of good fortune. The vase was believed to contain pure water capable of relieving suffering. The right hand holds a willow branch used to sprinkle the divine water.
Literature comparison:
Compare a related limestone statue of Guanyin with a similar base, dated about 580, 249 cm high, in the Museum of Fine Arts, Boston, accession number 15.254.
Auction result comparison:
Type: Closely related
Auction: Bonhams Paris, 26 October 2022, lot 238
Price: EUR 403,575 or approx. EUR 427,000 adjusted for inflation at the time of writing
Description: An exceptionally rare stone figure of a bodhisattva, Northern Zhou/Sui dynasty
Expert remark: Compare the closely related subject, modeling, and manner of carving with similar beaded jewelry and voluminous garments. Note the different size (54.3 cm).
Auction result comparison:
Type: Closely related
Auction: Sotheby’s New York, 12 September 2018, lot 15
Estimate: USD 400,000 or approx. EUR 448,500 converted and adjusted for inflation at the time of writing
Description: A marble figure of a standing bodhisattva, Northern Zhou / Sui dynasty
Expert remark: Compare the closely related modeling and manner of carving with similar beaded jewelry and voluminous garments. Note the material and the size (88 cm).
Expert authentication: Dr. Chang Qing, a renowned scholar and professor specializing in Chinese and Buddhist art, has authenticated this lot as being in the typical style of the Northern Zhou or Sui period, identifying it as the left attendant to a figure of Buddha. The statue’s slender form and ornamentation are reminiscent of Buddhist limestone sculptures found in Shaanxi province, the heart of the Northern Zhou and Sui empires. A notarized copy of Dr. Chang's expertise, dated April 21, 2021, in the State of New York, accompanies this lot.
Dr. Chang holds a Ph.D. in Art History from the University of Kansas and has held prestigious positions, including post-doctoral fellow at the Metropolitan Museum of Art and senior research fellow at the Freer and Sackler Galleries of the Smithsonian Institute. He has conducted extensive research in China, participating in archaeological excavations at various historical sites. Dr. Chang is the author of several influential works, including Compassionate Beings in Metal and Stone: Chinese Buddhist Sculptures from The Freer Gallery of Art (2016) and Light of the Buddha in the Desert: Essays on Mogao Grottoes in Dunhuang from 5th-14th Centuries (2012). He is currently a professor at Arts College, Sichuan University.
China, 557-618. Finely carved standing in samabhanga on a circular lotus dais inserted into a separately carved petal-form base raised on a square plinth with a small Buddhist lion to each corner. The Boddhisattva of Compassion with the left hand lowered holding an amphora and the right hand raised grasping a willow branch. Richly adorned with long flowing robes, billowing shawls, beaded necklaces and chains, all falling in skillfully detailed graceful curves over the pleated dhoti.
The serene face of Guanyin shows downcast eyes, arched brows, and full bow-shaped lips forming a gentle smile. Her hair is arranged in an elaborate chignon, backed by an intricately detailed diadem of twisted, beaded, and jeweled strands.
Provenance: From a private collection in New York, United States.
Condition: Good condition, commensurate with age. Ancient wear, signs of weathering and erosion, encrustations, structural cracks and fissures, nicks, losses, chips, and abrasions. Extensive remnants of old pigments. The base with some old repairs.
Dimensions: Height 105 cm (excl. stand), 112 cm (incl. stand) (two separate pieces)
Regal in countenance and adornment, this rare figure effortlessly bridges the aesthetic style of the Northern Zhou and Sui dynasties. The annexation in 553 of Sichuan by China’s northwest (then ruled by the Western Wei dynasty) is essential in understanding the formation of Northern Zhou bodhisattva images. The Northern Zhou style is marked by lavish surface decoration, stemmed from the aesthetic of the northwest and was transmitted from India, forging deep roots in Sichuanese Buddhist art. As seen on the present carving, figures of this period were heavily adorned with necklaces and ornate crowns, thus accentuating their sense of mass.
While further aspects of Northern Zhou carving, such as the columnar body surmounted by a square head with broad nose and lips, remain, the characteristic stockiness has been replaced by a refined lengthening of the silhouette which is typical of Sui dynasty figures. This is evident in the slender waist, emphasized by the sash that is draped over the shoulders and meets at the front and back with a clasp, and the tassel hanging from the center of the necklace.
The subject can be identified as Avalokiteshvara, known as Guanyin in China. Characteristically, the deity carries in her left hand a vase, a 'pure water bottle', one of the eight symbols of good fortune. The vase was believed to contain pure water capable of relieving suffering. The right hand holds a willow branch used to sprinkle the divine water.
Literature comparison:
Compare a related limestone statue of Guanyin with a similar base, dated about 580, 249 cm high, in the Museum of Fine Arts, Boston, accession number 15.254.
Auction result comparison:
Type: Closely related
Auction: Bonhams Paris, 26 October 2022, lot 238
Price: EUR 403,575 or approx. EUR 427,000 adjusted for inflation at the time of writing
Description: An exceptionally rare stone figure of a bodhisattva, Northern Zhou/Sui dynasty
Expert remark: Compare the closely related subject, modeling, and manner of carving with similar beaded jewelry and voluminous garments. Note the different size (54.3 cm).
Auction result comparison:
Type: Closely related
Auction: Sotheby’s New York, 12 September 2018, lot 15
Estimate: USD 400,000 or approx. EUR 448,500 converted and adjusted for inflation at the time of writing
Description: A marble figure of a standing bodhisattva, Northern Zhou / Sui dynasty
Expert remark: Compare the closely related modeling and manner of carving with similar beaded jewelry and voluminous garments. Note the material and the size (88 cm).
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Auction: TWO-DAY AUCTION: Fine Asian Art, Buddhism and Hinduism, 17th Oct, 2024
Galerie Zacke is thrilled to present a two-day live auction event showcasing 700 works of art from China, Southeast Asia, India, and beyond.
The flagship auction will take place on Day 1 of the sale (lots 1-278) and features an inspired selection of impressive pieces from notable collections. Highlights include an important white marble torso of Buddha Maitreya from the Tang dynasty (lot 38), a magnificent pair of Imperial zitan ‘elephant’ stands likely originating from the Forbidden City or Summer Palace (lot 89), and an extremely rare gold rain drum from the ancient kingdoms of Cham (lot 238).
The general auction will follow on Day 2 (lots 279-700), offering opportunities for both seasoned collectors and new bidders.
Museum Deaccessions include the Wou Lien-Pai Museum and the Zelnik István Southeast Asian Gold Museum.
Notable Collector’s Provenances include Sir Elton John; Kartika Soekarno-Seegers, the daughter of Sokarno; His Exalted Highness, the Nizam of Hyderabad, Osman Ali Khan (1886-1967); and Xu Yingkui (1830-1903), Viceroy of Min-Zhe, Guangzhou, China; as well as many prestigious names such as Alan and Simone Hartman, Onno Janssens, Dr. Johan Carl Kempe, Nellie and Basil Ionides, David Taylor, and Captain William Alexander ‘Bill’ Palmer CBE DL.
Historic Gallery and Dealership Provenances include Jules Speelman, Sam Bernstein, Jacques Barrère, Michael Goedhuis, Leonardo Vigorelli, Sydney L. Moss Ltd, Ralph M. Chait Galleries, Robert Kleiner, Roger Keverne Ltd, and Spink & Son.
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