17th Oct, 2024 11:00

TWO-DAY AUCTION: Fine Asian Art, Buddhism and Hinduism

 
  Lot 39
 

39

A PAINTED LIMESTONE FIGURE OF WILLOW GUANYIN, NORTHERN ZHOU-SUI DYNASTY

Sold for €26,000

including Buyer's Premium


Lot details

Expert authentication: Dr. Chang Qing, a renowned scholar and professor specializing in Chinese and Buddhist art, has authenticated this lot as being in the typical style of the Northern Zhou or Sui period, identifying it as the left attendant to a figure of Buddha. The statue’s slender form and ornamentation are reminiscent of Buddhist limestone sculptures found in Shaanxi province, the heart of the Northern Zhou and Sui empires. A notarized copy of Dr. Chang's expertise, dated April 21, 2021, in the State of New York, accompanies this lot.
Dr. Chang holds a Ph.D. in Art History from the University of Kansas and has held prestigious positions, including post-doctoral fellow at the Metropolitan Museum of Art and senior research fellow at the Freer and Sackler Galleries of the Smithsonian Institute. He has conducted extensive research in China, participating in archaeological excavations at various historical sites. Dr. Chang is the author of several influential works, including Compassionate Beings in Metal and Stone: Chinese Buddhist Sculptures from The Freer Gallery of Art (2016) and Light of the Buddha in the Desert: Essays on Mogao Grottoes in Dunhuang from 5th-14th Centuries (2012). He is currently a professor at Arts College, Sichuan University.

China, 557-618. Finely carved standing in samabhanga on a circular lotus dais inserted into a separately carved petal-form base raised on a square plinth with a small Buddhist lion to each corner. The Boddhisattva of Compassion with the left hand lowered holding an amphora and the right hand raised grasping a willow branch. Richly adorned with long flowing robes, billowing shawls, beaded necklaces and chains, all falling in skillfully detailed graceful curves over the pleated dhoti.

The serene face of Guanyin shows downcast eyes, arched brows, and full bow-shaped lips forming a gentle smile. Her hair is arranged in an elaborate chignon, backed by an intricately detailed diadem of twisted, beaded, and jeweled strands.

Provenance: From a private collection in New York, United States.
Condition: Good condition, commensurate with age. Ancient wear, signs of weathering and erosion, encrustations, structural cracks and fissures, nicks, losses, chips, and abrasions. Extensive remnants of old pigments. The base with some old repairs.

Dimensions: Height 105 cm (excl. stand), 112 cm (incl. stand) (two separate pieces)

Regal in countenance and adornment, this rare figure effortlessly bridges the aesthetic style of the Northern Zhou and Sui dynasties. The annexation in 553 of Sichuan by China’s northwest (then ruled by the Western Wei dynasty) is essential in understanding the formation of Northern Zhou bodhisattva images. The Northern Zhou style is marked by lavish surface decoration, stemmed from the aesthetic of the northwest and was transmitted from India, forging deep roots in Sichuanese Buddhist art. As seen on the present carving, figures of this period were heavily adorned with necklaces and ornate crowns, thus accentuating their sense of mass.

While further aspects of Northern Zhou carving, such as the columnar body surmounted by a square head with broad nose and lips, remain, the characteristic stockiness has been replaced by a refined lengthening of the silhouette which is typical of Sui dynasty figures. This is evident in the slender waist, emphasized by the sash that is draped over the shoulders and meets at the front and back with a clasp, and the tassel hanging from the center of the necklace.

The subject can be identified as Avalokiteshvara, known as Guanyin in China. Characteristically, the deity carries in her left hand a vase, a 'pure water bottle', one of the eight symbols of good fortune. The vase was believed to contain pure water capable of relieving suffering. The right hand holds a willow branch used to sprinkle the divine water.

Literature comparison:
Compare a related limestone statue of Guanyin with a similar base, dated about 580, 249 cm high, in the Museum of Fine Arts, Boston, accession number 15.254.

Auction result comparison:
Type: Closely related
Auction: Bonhams Paris, 26 October 2022, lot 238
Price: EUR 403,575 or approx. EUR 427,000 adjusted for inflation at the time of writing
Description: An exceptionally rare stone figure of a bodhisattva, Northern Zhou/Sui dynasty
Expert remark: Compare the closely related subject, modeling, and manner of carving with similar beaded jewelry and voluminous garments. Note the different size (54.3 cm).

Auction result comparison:
Type: Closely related
Auction: Sotheby’s New York, 12 September 2018, lot 15
Estimate: USD 400,000 or approx. EUR 448,500 converted and adjusted for inflation at the time of writing
Description: A marble figure of a standing bodhisattva, Northern Zhou / Sui dynasty
Expert remark: Compare the closely related modeling and manner of carving with similar beaded jewelry and voluminous garments. Note the material and the size (88 cm).

 

Expert authentication: Dr. Chang Qing, a renowned scholar and professor specializing in Chinese and Buddhist art, has authenticated this lot as being in the typical style of the Northern Zhou or Sui period, identifying it as the left attendant to a figure of Buddha. The statue’s slender form and ornamentation are reminiscent of Buddhist limestone sculptures found in Shaanxi province, the heart of the Northern Zhou and Sui empires. A notarized copy of Dr. Chang's expertise, dated April 21, 2021, in the State of New York, accompanies this lot.
Dr. Chang holds a Ph.D. in Art History from the University of Kansas and has held prestigious positions, including post-doctoral fellow at the Metropolitan Museum of Art and senior research fellow at the Freer and Sackler Galleries of the Smithsonian Institute. He has conducted extensive research in China, participating in archaeological excavations at various historical sites. Dr. Chang is the author of several influential works, including Compassionate Beings in Metal and Stone: Chinese Buddhist Sculptures from The Freer Gallery of Art (2016) and Light of the Buddha in the Desert: Essays on Mogao Grottoes in Dunhuang from 5th-14th Centuries (2012). He is currently a professor at Arts College, Sichuan University.

China, 557-618. Finely carved standing in samabhanga on a circular lotus dais inserted into a separately carved petal-form base raised on a square plinth with a small Buddhist lion to each corner. The Boddhisattva of Compassion with the left hand lowered holding an amphora and the right hand raised grasping a willow branch. Richly adorned with long flowing robes, billowing shawls, beaded necklaces and chains, all falling in skillfully detailed graceful curves over the pleated dhoti.

The serene face of Guanyin shows downcast eyes, arched brows, and full bow-shaped lips forming a gentle smile. Her hair is arranged in an elaborate chignon, backed by an intricately detailed diadem of twisted, beaded, and jeweled strands.

Provenance: From a private collection in New York, United States.
Condition: Good condition, commensurate with age. Ancient wear, signs of weathering and erosion, encrustations, structural cracks and fissures, nicks, losses, chips, and abrasions. Extensive remnants of old pigments. The base with some old repairs.

Dimensions: Height 105 cm (excl. stand), 112 cm (incl. stand) (two separate pieces)

Regal in countenance and adornment, this rare figure effortlessly bridges the aesthetic style of the Northern Zhou and Sui dynasties. The annexation in 553 of Sichuan by China’s northwest (then ruled by the Western Wei dynasty) is essential in understanding the formation of Northern Zhou bodhisattva images. The Northern Zhou style is marked by lavish surface decoration, stemmed from the aesthetic of the northwest and was transmitted from India, forging deep roots in Sichuanese Buddhist art. As seen on the present carving, figures of this period were heavily adorned with necklaces and ornate crowns, thus accentuating their sense of mass.

While further aspects of Northern Zhou carving, such as the columnar body surmounted by a square head with broad nose and lips, remain, the characteristic stockiness has been replaced by a refined lengthening of the silhouette which is typical of Sui dynasty figures. This is evident in the slender waist, emphasized by the sash that is draped over the shoulders and meets at the front and back with a clasp, and the tassel hanging from the center of the necklace.

The subject can be identified as Avalokiteshvara, known as Guanyin in China. Characteristically, the deity carries in her left hand a vase, a 'pure water bottle', one of the eight symbols of good fortune. The vase was believed to contain pure water capable of relieving suffering. The right hand holds a willow branch used to sprinkle the divine water.

Literature comparison:
Compare a related limestone statue of Guanyin with a similar base, dated about 580, 249 cm high, in the Museum of Fine Arts, Boston, accession number 15.254.

Auction result comparison:
Type: Closely related
Auction: Bonhams Paris, 26 October 2022, lot 238
Price: EUR 403,575 or approx. EUR 427,000 adjusted for inflation at the time of writing
Description: An exceptionally rare stone figure of a bodhisattva, Northern Zhou/Sui dynasty
Expert remark: Compare the closely related subject, modeling, and manner of carving with similar beaded jewelry and voluminous garments. Note the different size (54.3 cm).

Auction result comparison:
Type: Closely related
Auction: Sotheby’s New York, 12 September 2018, lot 15
Estimate: USD 400,000 or approx. EUR 448,500 converted and adjusted for inflation at the time of writing
Description: A marble figure of a standing bodhisattva, Northern Zhou / Sui dynasty
Expert remark: Compare the closely related modeling and manner of carving with similar beaded jewelry and voluminous garments. Note the material and the size (88 cm).

Zacke Live Online Bidding

Our online bidding platform makes it easier than ever to bid in our auctions! When you bid through our website, you can take advantage of our premium buyer's terms without incurring any additional online bidding surcharges.

To bid live online, you'll need to create an online account. Once your account is created and your identity is verified, you can register to bid in an auction up to 12 hours before the auction begins. 

Create an Account

  

Intended Spend and Bid Limits

When you register to bid in an online auction, you will need to share your intended maximum spending budget for the auction. We will then review your intended spend and set a bid limit for you. Once you have pre-registered for a live online auction, you can see your intended spend and bid limit by going to 'Account Settings' and clicking on 'Live Bidding Registrations'. 

Your bid limit will be the maximum amount you can bid during the auction. Your bid limit is for the hammer price and is not affected by the buyer’s premium and VAT.  For example, if you have a bid limit of €1,000 and place two winning bids for €300 and €200, then you will only be able to bid €500 for the rest of the auction. If you try to place a bid that is higher than €500, you will not be able to do so.

 

Online Absentee and Telephone Bids

You can now leave absentee and telephone bids on our website! 

Absentee Bidding

Once you've created an account and your identity is verified, you can leave your absentee bid directly on the lot page. We will contact you when your bids have been confirmed.

Telephone Bidding

Once you've created an account and your identity is verified, you can leave telephone bids online. We will contact you when your bids have been confirmed.

Telephone Bidding Form

 

Classic Absentee and Telephone Bidding Form

You can still submit absentee and telephone bids by email or fax if you prefer. Simply fill out the Absentee Bidding/Telephone bidding form and return it to us by email at office@zacke.at or by fax at +43 (1) 532 04 52 20. You can download the PDF from our Upcoming Auctions page. 

 

How-To Guides

How to Create Your Personal Zacke Account
How to Register to Bid on Zacke Live
How to Leave Absentee Bids Online
How to Leave Telephone Bids Online

 

中文版本的操作指南 

创建新账号
注册Zacke Live在线直播竞拍(免平台费)
缺席投标和电话投标

 

Third-Party Bidding

We partner with best-in-class third-party partners to make it easy for you to bid online in the channel of your choice. Please note that if you bid with one of our third-party online partners, then there will be a live bidding surcharge on top of your final purchase price. You can find all of our fees here. Here's a full list of our third-party partners:

  • 51 Bid Live
  • EpaiLive
  • ArtFoxLive
  • Invaluable
  • LiveAuctioneers
  • the-saleroom
  • lot-tissimo
  • Drouot

Please note that we place different auctions on different platforms. For example, in general, we only place Chinese art auctions on 51 Bid Live.

  

Bidding in Person

You must register to bid in person and will be assigned a paddle at the auction. Please contact us at office@zacke.at or +43 (1) 532 04 52 for the latest local health and safety guidelines.