11th Oct, 2023 11:00
THREE-DAY AUCTION - Fine Chinese Art / 中國藝術集珍 / Buddhism & Hinduism
4
AN IMPERIAL CLOISONNÉ ENAMEL JARDINIÈRE, SUPPORTED BY THREE GILT-BRONZE ‘KNEELING BOYS’ FEET, QIANLONG PERIOD
乾隆時期御製銅胎掐絲琺瑯三足盆
€10,000
€20,000
A buyer’s premium of 30.00% (including VAT) applies to the hammer price of this lot if your bid is successful.
Published: Cohen & Cohen, Tyger Tyger!, Antwerp, 2016, pages 72-73, no. 32.
China, 1736-1795. The vessel with gently flared sides and supported by three feet, cast in gilt copper-alloy as kneeling boys dressed in voluminous robes incised with lotus blossoms and leafy vines, draped in billowing scarves, their faces well detailed with smiling expressions. The exterior of the vessel finely decorated with two rows of rectangular panels separated by raised gilt bands of twisted-rope design, each panel with five flowerheads brightly enameled in shades on a of blue, yellow, green, and white, borne on scrolling tendrils reserved on a rich red ground. The rim neatly incised with lotus blossoms and foliate scroll.
Provenance: Cohen & Cohen, Antwerp, 2016. A noted private collection in New York, USA, acquired from the above.
Condition: Excellent condition with some old wear, expected small losses with associated old fills, minor rubbing to gilt, minor nicks to enamels and metals. Shallow surface scratches. Expected manufacturing flaws such as minimal pitting. The interior has a good naturally grown patina with malachite encrustations.
Weight: 1,484 g
Dimensions: Height 18.2 cm, Diameter 15.5 cm
Please click here to read the full description
The present vessel’s bucket shape echoes a rustic wooden pail with vertical slats bound by rope and is clearly designed as an amusing variant of this standard artisan vessel, executed in expensive cloisonné enamels. Such conceits were very popular with the early Qing emperors, who took a particular pleasure in instructing their Palace and external craftsmen to recreate familiar objects in entirely different materials: archaic bronzes in jade, eel-trap nets in porcelain, bronze incense burners in lapis lazuli, or rhinoceros horn carvings in silver.
Jardinières of this shape still exist in the Qing Court Collections and have been published. Indeed, some still survive with additional embellishments at the top confirming that they were intended to be displayed in the Forbidden City and other Imperial palaces as pails of flowers, because some were deliberately fitted with simulated flower arrangements comprising miniature flowering trees, created with curling wire branches and suspending green hardstone leaves set with carnelian, crystal and other semi-precious hardstones.
Literature comparison:
Compare a closely related cloisonné flowerpot, dated to the mid-Qing dynasty, in the National Palace Museum, Beijing, illustrated in the Compendium of Collections in the Palace Museum: Enamels 4, Cloisonné in the Qing Dynasty, Beijing, 2011, p. 35, no. 6. Compare a closely related gilt-bronze and cloisonné jardinière illustrated in Colorful, Elegant, and Exquisite: A Special Exhibition of Imperial Enamel Ware from Mr. Robert Chang’s Collection, Suzhou, 2009, pp. 84-85. Compare a closely related gilt-bronze and red cloisonné-enamel jardinière supported by three boys, dated to the mid-Qing dynasty, illustrated in the Prime Cultural Relics Collected by Shenyang Imperial Palace Museum: The Enamel Volume, Shenyang, 2007, pp. 204-205. This example shows that the jardinière was used to hold hardstone imitations of auspicious flowers.
Auction result comparison:
Type: Closely related
Auction: Bonhams Hong Kong, 27 November 2019, lot 37
Price: HKD 313,125 or approx. EUR 38,500 converted and adjusted for inflation at the time of writing
Description: A rare imperial gilt-bronze and cloisonné-enamel jardinière, Qianlong
Expert remark: Compare the closely related form, decoration, and feet depicting kneeling foreigners. Note the larger size of the vessel (24.8 cm), which makes the kneeling foreigner figures look rather small in comparison. Also note that a vessel with kneeling foreigners feet is not registered in the Imperial collections, unlike the kneeling boys feet, of which numerous examples are documented.
点此阅读中文翻译 (Chinese Translation)
乾隆時期御製銅胎掐絲琺瑯三足盆
中國, 1736-1795年。盆斜腹敞口，三童子以跪姿肩負盆。童子為鎏金銅，穿著纏枝蓮花紋長袍，面露微笑。盆外壁如木桶狀，紅地飾花卉錦地，三道扭繩撞的鎏金束繩。琺瑯色彩明亮生動。盆口工整地刻有卷葉蓮紋。
出版：Cohen & Cohen, Tyger Tyger!, 安特衛普, 2016, 72-73頁, 圖 32。
來源：安特衛普Cohen & Cohen藝廊, 2016年；美國紐約知名私人收藏，購於上述藝廊。
品相：狀況極佳，有一些磨損，缺損有相應的修補，鎏金有輕微摩擦，琺瑯和金屬上有微小的刻痕。表面有淺劃痕。鑄造不規則，例如麻點。內部自然包漿，綠色結殼。
重量：1,484 克
尺寸：高 18.2 厘米, 直徑 15.5 厘米
本容器的桶形與鄉村風格的木桶相呼應，木桶上有用繩子捆紮的垂直板條，採用昂貴的景泰藍琺瑯製成。 這種奇思妙想在清初宮中非常流行，宮廷和民間工匠用完全不同的材料再現熟悉的物品，如玉制的古代青銅器、瓷器、青金石的青銅香爐，或用銀犀牛角雕刻。
此造型的花盆仍清宮藏品中見到，並已出版。頂部有額外的裝飾，可見它們是用來在宮中作爲花盆使用。也有用銅線製成的微型花樹和懸掛的綠色硬石葉子鑲嵌著紅玉髓、水晶和其他半寶石。
文獻比較：
比較一件非常相近的清中期掐絲琺瑯朵花紋人足筒式花盆，收藏於北京故宮博物院，見《故宮博物院藏品大系‧琺瑯器編》，北京，2011年，頁35，編號6。比較一件非常相近的鎏金掐絲琺瑯大盆，見《Colorful，Elegant，and Exquisite: A Special Exhibition of Imperial Enamel Ware from Mr. Robert Chang’s Collection》，蘇州，2009年，頁84-85。比較一件非常相近的清中期鎏金青銅和紅色景泰藍琺瑯花盆，見《Prime Cultural Relics Collected by Shenyang Imperial Palace Museum: The Enamel Volume》，瀋陽，2007年，頁204-205。
拍賣結果比較：
形制：非常相近
拍賣：香港邦瀚斯，2019年11月27日，lot 37
價格：HKD 313,125（相當於今日EUR 38,500）
描述：清乾隆掐絲琺瑯朵花紋人足筒式花盆
專家評論：比較非常相近的外形、裝飾，以及足部為跪姿的外國人。請注意尺寸較大 (24.8 釐米)，與跪姿三童子足不同，此跪姿外國人足花盆沒有被記錄在皇家收藏中
Published: Cohen & Cohen, Tyger Tyger!, Antwerp, 2016, pages 72-73, no. 32.
China, 1736-1795. The vessel with gently flared sides and supported by three feet, cast in gilt copper-alloy as kneeling boys dressed in voluminous robes incised with lotus blossoms and leafy vines, draped in billowing scarves, their faces well detailed with smiling expressions. The exterior of the vessel finely decorated with two rows of rectangular panels separated by raised gilt bands of twisted-rope design, each panel with five flowerheads brightly enameled in shades on a of blue, yellow, green, and white, borne on scrolling tendrils reserved on a rich red ground. The rim neatly incised with lotus blossoms and foliate scroll.
Provenance: Cohen & Cohen, Antwerp, 2016. A noted private collection in New York, USA, acquired from the above.
Condition: Excellent condition with some old wear, expected small losses with associated old fills, minor rubbing to gilt, minor nicks to enamels and metals. Shallow surface scratches. Expected manufacturing flaws such as minimal pitting. The interior has a good naturally grown patina with malachite encrustations.
Weight: 1,484 g
Dimensions: Height 18.2 cm, Diameter 15.5 cm
Please click here to read the full description
The present vessel’s bucket shape echoes a rustic wooden pail with vertical slats bound by rope and is clearly designed as an amusing variant of this standard artisan vessel, executed in expensive cloisonné enamels. Such conceits were very popular with the early Qing emperors, who took a particular pleasure in instructing their Palace and external craftsmen to recreate familiar objects in entirely different materials: archaic bronzes in jade, eel-trap nets in porcelain, bronze incense burners in lapis lazuli, or rhinoceros horn carvings in silver.
Jardinières of this shape still exist in the Qing Court Collections and have been published. Indeed, some still survive with additional embellishments at the top confirming that they were intended to be displayed in the Forbidden City and other Imperial palaces as pails of flowers, because some were deliberately fitted with simulated flower arrangements comprising miniature flowering trees, created with curling wire branches and suspending green hardstone leaves set with carnelian, crystal and other semi-precious hardstones.
Literature comparison:
Compare a closely related cloisonné flowerpot, dated to the mid-Qing dynasty, in the National Palace Museum, Beijing, illustrated in the Compendium of Collections in the Palace Museum: Enamels 4, Cloisonné in the Qing Dynasty, Beijing, 2011, p. 35, no. 6. Compare a closely related gilt-bronze and cloisonné jardinière illustrated in Colorful, Elegant, and Exquisite: A Special Exhibition of Imperial Enamel Ware from Mr. Robert Chang’s Collection, Suzhou, 2009, pp. 84-85. Compare a closely related gilt-bronze and red cloisonné-enamel jardinière supported by three boys, dated to the mid-Qing dynasty, illustrated in the Prime Cultural Relics Collected by Shenyang Imperial Palace Museum: The Enamel Volume, Shenyang, 2007, pp. 204-205. This example shows that the jardinière was used to hold hardstone imitations of auspicious flowers.
Auction result comparison:
Type: Closely related
Auction: Bonhams Hong Kong, 27 November 2019, lot 37
Price: HKD 313,125 or approx. EUR 38,500 converted and adjusted for inflation at the time of writing
Description: A rare imperial gilt-bronze and cloisonné-enamel jardinière, Qianlong
Expert remark: Compare the closely related form, decoration, and feet depicting kneeling foreigners. Note the larger size of the vessel (24.8 cm), which makes the kneeling foreigner figures look rather small in comparison. Also note that a vessel with kneeling foreigners feet is not registered in the Imperial collections, unlike the kneeling boys feet, of which numerous examples are documented.
点此阅读中文翻译 (Chinese Translation)
乾隆時期御製銅胎掐絲琺瑯三足盆
中國, 1736-1795年。盆斜腹敞口，三童子以跪姿肩負盆。童子為鎏金銅，穿著纏枝蓮花紋長袍，面露微笑。盆外壁如木桶狀，紅地飾花卉錦地，三道扭繩撞的鎏金束繩。琺瑯色彩明亮生動。盆口工整地刻有卷葉蓮紋。
出版：Cohen & Cohen, Tyger Tyger!, 安特衛普, 2016, 72-73頁, 圖 32。
來源：安特衛普Cohen & Cohen藝廊, 2016年；美國紐約知名私人收藏，購於上述藝廊。
品相：狀況極佳，有一些磨損，缺損有相應的修補，鎏金有輕微摩擦，琺瑯和金屬上有微小的刻痕。表面有淺劃痕。鑄造不規則，例如麻點。內部自然包漿，綠色結殼。
重量：1,484 克
尺寸：高 18.2 厘米, 直徑 15.5 厘米
本容器的桶形與鄉村風格的木桶相呼應，木桶上有用繩子捆紮的垂直板條，採用昂貴的景泰藍琺瑯製成。 這種奇思妙想在清初宮中非常流行，宮廷和民間工匠用完全不同的材料再現熟悉的物品，如玉制的古代青銅器、瓷器、青金石的青銅香爐，或用銀犀牛角雕刻。
此造型的花盆仍清宮藏品中見到，並已出版。頂部有額外的裝飾，可見它們是用來在宮中作爲花盆使用。也有用銅線製成的微型花樹和懸掛的綠色硬石葉子鑲嵌著紅玉髓、水晶和其他半寶石。
文獻比較：
比較一件非常相近的清中期掐絲琺瑯朵花紋人足筒式花盆，收藏於北京故宮博物院，見《故宮博物院藏品大系‧琺瑯器編》，北京，2011年，頁35，編號6。比較一件非常相近的鎏金掐絲琺瑯大盆，見《Colorful，Elegant，and Exquisite: A Special Exhibition of Imperial Enamel Ware from Mr. Robert Chang’s Collection》，蘇州，2009年，頁84-85。比較一件非常相近的清中期鎏金青銅和紅色景泰藍琺瑯花盆，見《Prime Cultural Relics Collected by Shenyang Imperial Palace Museum: The Enamel Volume》，瀋陽，2007年，頁204-205。
拍賣結果比較：
形制：非常相近
拍賣：香港邦瀚斯，2019年11月27日，lot 37
價格：HKD 313,125（相當於今日EUR 38,500）
描述：清乾隆掐絲琺瑯朵花紋人足筒式花盆
專家評論：比較非常相近的外形、裝飾，以及足部為跪姿的外國人。請注意尺寸較大 (24.8 釐米)，與跪姿三童子足不同，此跪姿外國人足花盆沒有被記錄在皇家收藏中
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Auction: THREE-DAY AUCTION - Fine Chinese Art / 中國藝術集珍 / Buddhism & Hinduism, 11th Oct, 2023
Join Zacke for a three-day live auction event featuring 741 works of art from countries as large as China, India, or Indonesia, from the Himalayan valleys and plateaus of Tibet, Nepal, Kashmir, and Pakistan, from the Southeast Asian peoples of Vietnam, Cambodia, Laos, Thailand, and Myanmar, as well as from the steppes of Central Asia to the plains of Mongolia, and from the Northern Indian basin to the island of Sri Lanka.
A pinnacle event of our autumn calendar – the flagship auction – will take place on Day 1 of the sale (lots 1-247), featuring many important pieces from renowned collections, among them an Imperial Falangcai miniature vase (lot 102), the Ming Dynasty’s largest surviving Zitan figure (lot 187), and an Imperial robe made for the Empress Dowager Cixi (lot 201).
The general auction will follow on Day 2 (lots 248-436) and on Day 3 (lots 437-748), offering items for avid art collectors and first-time buyers alike.
Notable Collector’s Provenances include the Zande Lou Collection, built by J.M. Hu, one of the world’s greatest connoisseurs of Chinese ceramics; James J. Lally, New York, a preeminent scholar of Asian art; Dr. Wou Kiuan, diplomat and founder of the Wou Lien-Pai museum; Zhang Boju, China’s celebrated art collector who was also known as one of the ‘Four Young Princes’; as well as many prestigious names such as Anton Exner, Adolphe Stoclet, Adrian Maynard, Dr. Elsa Graser, Charles Oswald Lidell, George Hathaway Taber, the Chasseloup-Laubat Family, Madame Safia Sassi, John Marsing, Leonardo Vigorelli, American tattoo artist Ed Hardy, and Academy Award winners Michael Phillips and Anthony Powell.
Historic Gallery and Dealership Provenances include Spink & Son, Galerie Jacques Barrère, Michel Beurdeley, E&J Frankel, Hugh Moss, Clare Chu, the Bernheimer Collection, Bluett & Sons, John Sparks, Marsha Vargas, Robert Kleiner, S. Bernstein & Co, Cohen & Cohen, and Michael Goedhuis.
Museum Deaccessions include the Cranmore Ethnographical Museum, the Norton Museum of Art, the Walters Art Museum, the Wou Lien-Pai, the Idemitsu, and the Zelnik István Asian Gold Museum.
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