11th Oct, 2023 11:00
THREE-DAY AUCTION - Fine Chinese Art / 中國藝術集珍 / Buddhism & Hinduism
42
A CELADON JADE CARVING OF A FINGER CITRON, CHINA, 18TH - 19TH CENTURY
十八至十九世紀青玉佛手
€4,000
€8,000
A buyer’s premium of 30.00% (including VAT) applies to the hammer price of this lot if your bid is successful.
The naturalistically carved ‘Buddha Hand’ attached to an open worked gnarled stem issuing attendant leaves, exquisitely carved with nine ‘fingers’ extending sinuously and mingling at their tips. The delicately polished, translucent stone of a pale celadon hue with russet patches as well as cloudy and icy inclusions.
Provenance: French trade.
Condition: Superb condition with minor wear and microscopic nibbles here and there. The inside of the fruit with a few untreated drilling tracks, not visible from outside. The stone with natural inclusions and fissures, some of which have developed into small hairline cracks over time.
Weight: 436.7 g
Dimensions: Length 14.3 cm
Please click here to read the full description
The Chinese name for finger citron, foshou, is also a pun based on fu for ‘blessings’ or ‘riches’ followed by shou for ‘longevity’. In addition, the finger citron fruit was thought to resemble the hand of the Buddha, with its idealized, lotus-shaped ‘fingers’. Although inedible, the fruit has a strong citrus fragrance which is often used for scenting rooms, and for offerings at the Buddhist altar.
Literature comparison:
Compare a related jade finger citron, in the Palace Museum, Beijing, illustrated in Compendium of Collections in the Palace Museum: Jade 9. Qing dynasty, Beijing, 2011, no. 159. Compare a related jade carving of a finger citron, illustrated by Roger Keverne, Jade, London, 1995, pp. 165, fig. 94. Compare a related group included in the exhibition, Minor Arts of China, IV, Spink & Sons, London, 1989, illustrated in the catalog, p. 124, no. 174.
Auction result comparison:
Type: Closely related
Auction: Sotheby’s New York, 22 September 2020, lot 205
Price: USD 80,900 or approx. EUR 87,000 converted and adjusted for inflation at the time of writing
Description: A pale celadon jade carving of a finger citron, Qianlong period
Expert remark: Compare the related hue of the jade and leafy branch carved at the base. Note the size (16.3 cm).
点此阅读中文翻译 (Chinese Translation)
十八至十九世紀青玉佛手
自然隨形雕刻佛手瓜形擺件，下方有一小枝。玉石呈淺青色，帶有赤褐色脈紋和淺灰色脈理以及絮狀物。整體瑩潤光滑。
來源：法國古玩交易。
品相：狀況極佳，有輕微磨損和微小的磕損。內部有一些未經處理的鑽孔痕跡，從外面看不到。玉石上有天然的内沁和裂隙，有些隨著時間的推移已經發展成細小的裂紋。
重量：436.7 克
尺寸：長 14.3 厘米
文獻比較:
比較一件相近的佛手玉，收藏於北京故宮博物院，見《故宮博物院藏品大系・玉器編9・清代》，北京，2011年，編號159。比較一件相近的佛手玉，見Roger Keverne，《Jade》，倫敦，1995年，頁165，圖94。比較一件相近的玉器，見《Minor Arts of China》，卷四，Spink & Sons，倫敦，1989年，頁124，編號174。
拍賣比較：
形制：非常相近
拍賣：紐約蘇富比，2020年9月22日，lot 205
價錢：USD 80,900（相當今日EUR 87,000）
描述：清乾隆青白玉雕佛手擺件
專家註釋：比較相近的底座雕刻的玉石和綠葉樹枝的色調。請注意尺寸 (16.3 厘米)。
The naturalistically carved ‘Buddha Hand’ attached to an open worked gnarled stem issuing attendant leaves, exquisitely carved with nine ‘fingers’ extending sinuously and mingling at their tips. The delicately polished, translucent stone of a pale celadon hue with russet patches as well as cloudy and icy inclusions.
Provenance: French trade.
Condition: Superb condition with minor wear and microscopic nibbles here and there. The inside of the fruit with a few untreated drilling tracks, not visible from outside. The stone with natural inclusions and fissures, some of which have developed into small hairline cracks over time.
Weight: 436.7 g
Dimensions: Length 14.3 cm
Please click here to read the full description
The Chinese name for finger citron, foshou, is also a pun based on fu for ‘blessings’ or ‘riches’ followed by shou for ‘longevity’. In addition, the finger citron fruit was thought to resemble the hand of the Buddha, with its idealized, lotus-shaped ‘fingers’. Although inedible, the fruit has a strong citrus fragrance which is often used for scenting rooms, and for offerings at the Buddhist altar.
Literature comparison:
Compare a related jade finger citron, in the Palace Museum, Beijing, illustrated in Compendium of Collections in the Palace Museum: Jade 9. Qing dynasty, Beijing, 2011, no. 159. Compare a related jade carving of a finger citron, illustrated by Roger Keverne, Jade, London, 1995, pp. 165, fig. 94. Compare a related group included in the exhibition, Minor Arts of China, IV, Spink & Sons, London, 1989, illustrated in the catalog, p. 124, no. 174.
Auction result comparison:
Type: Closely related
Auction: Sotheby’s New York, 22 September 2020, lot 205
Price: USD 80,900 or approx. EUR 87,000 converted and adjusted for inflation at the time of writing
Description: A pale celadon jade carving of a finger citron, Qianlong period
Expert remark: Compare the related hue of the jade and leafy branch carved at the base. Note the size (16.3 cm).
点此阅读中文翻译 (Chinese Translation)
十八至十九世紀青玉佛手
自然隨形雕刻佛手瓜形擺件，下方有一小枝。玉石呈淺青色，帶有赤褐色脈紋和淺灰色脈理以及絮狀物。整體瑩潤光滑。
來源：法國古玩交易。
品相：狀況極佳，有輕微磨損和微小的磕損。內部有一些未經處理的鑽孔痕跡，從外面看不到。玉石上有天然的内沁和裂隙，有些隨著時間的推移已經發展成細小的裂紋。
重量：436.7 克
尺寸：長 14.3 厘米
文獻比較:
比較一件相近的佛手玉，收藏於北京故宮博物院，見《故宮博物院藏品大系・玉器編9・清代》，北京，2011年，編號159。比較一件相近的佛手玉，見Roger Keverne，《Jade》，倫敦，1995年，頁165，圖94。比較一件相近的玉器，見《Minor Arts of China》，卷四，Spink & Sons，倫敦，1989年，頁124，編號174。
拍賣比較：
形制：非常相近
拍賣：紐約蘇富比，2020年9月22日，lot 205
價錢：USD 80,900（相當今日EUR 87,000）
描述：清乾隆青白玉雕佛手擺件
專家註釋：比較相近的底座雕刻的玉石和綠葉樹枝的色調。請注意尺寸 (16.3 厘米)。
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Auction: THREE-DAY AUCTION - Fine Chinese Art / 中國藝術集珍 / Buddhism & Hinduism, 11th Oct, 2023
Join Zacke for a three-day live auction event featuring 741 works of art from countries as large as China, India, or Indonesia, from the Himalayan valleys and plateaus of Tibet, Nepal, Kashmir, and Pakistan, from the Southeast Asian peoples of Vietnam, Cambodia, Laos, Thailand, and Myanmar, as well as from the steppes of Central Asia to the plains of Mongolia, and from the Northern Indian basin to the island of Sri Lanka.
A pinnacle event of our autumn calendar – the flagship auction – will take place on Day 1 of the sale (lots 1-247), featuring many important pieces from renowned collections, among them an Imperial Falangcai miniature vase (lot 102), the Ming Dynasty’s largest surviving Zitan figure (lot 187), and an Imperial robe made for the Empress Dowager Cixi (lot 201).
The general auction will follow on Day 2 (lots 248-436) and on Day 3 (lots 437-748), offering items for avid art collectors and first-time buyers alike.
Notable Collector’s Provenances include the Zande Lou Collection, built by J.M. Hu, one of the world’s greatest connoisseurs of Chinese ceramics; James J. Lally, New York, a preeminent scholar of Asian art; Dr. Wou Kiuan, diplomat and founder of the Wou Lien-Pai museum; Zhang Boju, China’s celebrated art collector who was also known as one of the ‘Four Young Princes’; as well as many prestigious names such as Anton Exner, Adolphe Stoclet, Adrian Maynard, Dr. Elsa Graser, Charles Oswald Lidell, George Hathaway Taber, the Chasseloup-Laubat Family, Madame Safia Sassi, John Marsing, Leonardo Vigorelli, American tattoo artist Ed Hardy, and Academy Award winners Michael Phillips and Anthony Powell.
Historic Gallery and Dealership Provenances include Spink & Son, Galerie Jacques Barrère, Michel Beurdeley, E&J Frankel, Hugh Moss, Clare Chu, the Bernheimer Collection, Bluett & Sons, John Sparks, Marsha Vargas, Robert Kleiner, S. Bernstein & Co, Cohen & Cohen, and Michael Goedhuis.
Museum Deaccessions include the Cranmore Ethnographical Museum, the Norton Museum of Art, the Walters Art Museum, the Wou Lien-Pai, the Idemitsu, and the Zelnik István Asian Gold Museum.
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