Expert’s note: This bottle is perhaps one of the most exciting of all carved jadeite examples. The shape has a perfect formal integrity which is greatly enhanced by the tall, flared neck with a lipped rim. The carved decoration stands in unusually high relief and in the undulating rhythms of the dragon's back, shows a confident line of which an accomplished painter with a brush would be proud of. The entire composition, however, is truly brought to life by the exceptionally fine hollowing, which allows the light to be transmitted through the body, revealing the icy texture of the stone. This adds enormously to the energy of the piece, creating the appearance of a raging storm through which the dragons are scything unmoved. The fashion for extreme hollowing was probably inspired by the advent of Mughal jades into China in the 1750s and may have played some part in the conception of this bottle. However, most bottles of this ultra-hollowed group are uncarved and rely solely on their hollowing for their impact, whereas on the present bottle the hollowing actually adds to the impact of the carving.
Of flattened globular form, exceptionally well hollowed, finely carved in high relief with a continuous scene depicting a carp emerging from the waves to transform into a dragon chasing a flaming pearl, with cloud billows on the shoulders. The well-polished translucent stone is of an apple-green hue with emerald-green patches, paler shadings, and icy inclusions.
Provenance: Collection of Gerry P. Mack. Robert Kleiner & Co. Ltd., London, United Kingdom, 2010. Private collection in the United Kingdom, acquired from the above. A copy of the original invoice from Robert Kleiner & Co. Ltd., dated 30 June 2010, confirming the dating above, and stating a purchase price for this present lot of GBP 5,000 or approx. EUR 10,500 (converted and adjusted for inflation at the time of writing), accompanies this lot. According to Robert Kleiner’s foreword to the catalog of his single owner sale at Christie's, he “was one of the great snuff bottle collectors of the twentieth century. The bottles for which Gerry had a weakness have stood the test of time and, more remarkably, of our increased knowledge of the subject. Gerry's achievement was to align on bottles which he liked and which are still highly sought after and in many cases among the finest of their type.”
Condition: Superb condition with minor old wear and occasional light scratches. The stone with natural inclusions and fissures.
Stopper: Agate with bronze collar
Weight: 87 g
Dimensions: Height incl. stopper 74 mm, Diameter neck 22 mm and mouth 7 mm
品相:狀況極佳,有輕微磨損和劃痕。玉石具有天然內沁和裂縫。
壺蓋:瑪瑙,銅托片
重量:87 克
尺寸:總高 74 毫米,頸部直徑22 毫米,壺口 7 毫米
拍賣結果比較:
形制:相近
拍賣:香港蘇富比,2015年5月31日,lot 192
價格:HKD 150,000(相當於今日EUR 20,500)
描述:清十八 / 十九世紀翠玉逐珠雲龍圖鼻煙壺
專家評論:比較相近的翡翠顏色 、雕刻風格,以及主題(僅有一條龍)。請注意不同的外形,以及此鼻煙壺曾先後藏於Gerry P. Mack和Robert Kleiner。
Expert’s note: This bottle is perhaps one of the most exciting of all carved jadeite examples. The shape has a perfect formal integrity which is greatly enhanced by the tall, flared neck with a lipped rim. The carved decoration stands in unusually high relief and in the undulating rhythms of the dragon's back, shows a confident line of which an accomplished painter with a brush would be proud of. The entire composition, however, is truly brought to life by the exceptionally fine hollowing, which allows the light to be transmitted through the body, revealing the icy texture of the stone. This adds enormously to the energy of the piece, creating the appearance of a raging storm through which the dragons are scything unmoved. The fashion for extreme hollowing was probably inspired by the advent of Mughal jades into China in the 1750s and may have played some part in the conception of this bottle. However, most bottles of this ultra-hollowed group are uncarved and rely solely on their hollowing for their impact, whereas on the present bottle the hollowing actually adds to the impact of the carving.
Of flattened globular form, exceptionally well hollowed, finely carved in high relief with a continuous scene depicting a carp emerging from the waves to transform into a dragon chasing a flaming pearl, with cloud billows on the shoulders. The well-polished translucent stone is of an apple-green hue with emerald-green patches, paler shadings, and icy inclusions.
Provenance: Collection of Gerry P. Mack. Robert Kleiner & Co. Ltd., London, United Kingdom, 2010. Private collection in the United Kingdom, acquired from the above. A copy of the original invoice from Robert Kleiner & Co. Ltd., dated 30 June 2010, confirming the dating above, and stating a purchase price for this present lot of GBP 5,000 or approx. EUR 10,500 (converted and adjusted for inflation at the time of writing), accompanies this lot. According to Robert Kleiner’s foreword to the catalog of his single owner sale at Christie's, he “was one of the great snuff bottle collectors of the twentieth century. The bottles for which Gerry had a weakness have stood the test of time and, more remarkably, of our increased knowledge of the subject. Gerry's achievement was to align on bottles which he liked and which are still highly sought after and in many cases among the finest of their type.”
Condition: Superb condition with minor old wear and occasional light scratches. The stone with natural inclusions and fissures.
Stopper: Agate with bronze collar
Weight: 87 g
Dimensions: Height incl. stopper 74 mm, Diameter neck 22 mm and mouth 7 mm
品相:狀況極佳,有輕微磨損和劃痕。玉石具有天然內沁和裂縫。
壺蓋:瑪瑙,銅托片
重量:87 克
尺寸:總高 74 毫米,頸部直徑22 毫米,壺口 7 毫米
拍賣結果比較:
形制:相近
拍賣:香港蘇富比,2015年5月31日,lot 192
價格:HKD 150,000(相當於今日EUR 20,500)
描述:清十八 / 十九世紀翠玉逐珠雲龍圖鼻煙壺
專家評論:比較相近的翡翠顏色 、雕刻風格,以及主題(僅有一條龍)。請注意不同的外形,以及此鼻煙壺曾先後藏於Gerry P. Mack和Robert Kleiner。
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Join Zacke for a three-day live auction event featuring 741 works of art from countries as large as China, India, or Indonesia, from the Himalayan valleys and plateaus of Tibet, Nepal, Kashmir, and Pakistan, from the Southeast Asian peoples of Vietnam, Cambodia, Laos, Thailand, and Myanmar, as well as from the steppes of Central Asia to the plains of Mongolia, and from the Northern Indian basin to the island of Sri Lanka.
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Notable Collector’s Provenances include the Zande Lou Collection, built by J.M. Hu, one of the world’s greatest connoisseurs of Chinese ceramics; James J. Lally, New York, a preeminent scholar of Asian art; Dr. Wou Kiuan, diplomat and founder of the Wou Lien-Pai museum; Zhang Boju, China’s celebrated art collector who was also known as one of the ‘Four Young Princes’; as well as many prestigious names such as Anton Exner, Adolphe Stoclet, Adrian Maynard, Dr. Elsa Graser, Charles Oswald Lidell, George Hathaway Taber, the Chasseloup-Laubat Family, Madame Safia Sassi, John Marsing, Leonardo Vigorelli, American tattoo artist Ed Hardy, and Academy Award winners Michael Phillips and Anthony Powell.
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Museum Deaccessions include the Cranmore Ethnographical Museum, the Norton Museum of Art, the Walters Art Museum, the Wou Lien-Pai, the Idemitsu, and the Zelnik István Asian Gold Museum.
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