11th Oct, 2023 11:00
THREE-DAY AUCTION - Fine Chinese Art / 中國藝術集珍 / Buddhism & Hinduism
50
A CAMEO AGATE ‘HUANG CHENGYAN’ SNUFF BOTTLE, ATTRIBUTED TO THE CAMEO INK-PLAY MASTER, OFFICIAL SCHOOL, POSSIBLY IMPERIAL
瑪瑙《黃承彥》鼻煙壺，或爲御製
€4,000
€8,000
A buyer’s premium of 30.00% (including VAT) applies to the hammer price of this lot if your bid is successful.
Expert’s note: The work of the artistic genius ‘Cameo Ink-play Master’ is analyzed and discussed in detail by Hugh Moss, Victor Graham, and Ka Bo Tsang in A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection, volume 2, numbers 319-325. With the aid of these examples, it becomes quite clear that a single hand is at work, as the group exhibits stylistic motifs which are highly individualistic and do not appear on most cameo agate-style bottles. All these characteristics are apparent on the present bottle. It is remarkably well hollowed and polished on the exterior to a magnificent gloss. There is a whitish inclusion on the front which is skillfully used to depict the face. All areas of colored material have been incorporated into the design. Other areas of the design are carved directly onto the colorless ground. Two signature motifs are present in the current snuff bottle: the single brown prunus blossom (see ibidem, number 319), and the use of a horizontal band of color near the neck to depict part of a branch in the manner of a brushstroke (see ibidem, number 325).
China, Beijing, 1770-1860. Of ovoid shape supported on a well-carved foot rim, finely carved to the front with Huang Chenyen riding a donkey, followed by a boy attendant carrying a spray of prunus. The reverse carved with a bird swooping towards a prunus branch, with a smaller spray on the neck.
Provenance: Robert Kleiner & Co. Ltd., London, United Kingdom, 2002. A private collection in the United Kingdom, acquired from the above. A copy of the original invoice from Robert Kleiner & Co. Ltd., dated 25 November 2002, describing the present lot as a chalcedony snuff bottle, confirming the attribution to the Cameo Ink-play Master and the dating above, and stating a purchase price for the present lot of GBP 6,000 or approx. EUR 15,500 (converted and adjusted for inflation at the time of writing), accompanies this lot. Robert Kleiner (1948-2014) was an important expert of Chinese snuff bottles, beginning his lengthy career at the Sotheby’s Chinese Art department in London. Along with Hugh Moss and Bob Hall, he became a key advisor to the Mary and George Bloch collection, and it was Robert who wrote and produced the very first catalog of their bottles.
Condition: Excellent condition with minor old wear and microscopic nibbling to exposed areas, possibly inherent to carving. The stone with natural fissures and inclusions.
Stopper: Carnelian
Weight: 97.7 g
Dimensions: Height 77 mm, Diameter neck 21 mm and mouth 8.5 mm
Please click here to read the full description
Huang Chengyan was a reclusive scholar who lived during the late Eastern Han dynasty. He was known for being carefree and open-minded. He is also a minor character in the 14th century historical novel Romance of the Three Kingdoms, which romanticizes the historical events before and during the Three Kingdoms period. He first appeared in Chapter 37 when Liu Bei, Guan Yu and Zhang Fei were visiting the house of Zhuge Liang, a chancellor and regent of the state of Shu Han who married Huang’s daughter. He appeared then again in Chapter 84 after the Battle of Xiaoting, in which he led Lu Xun out of Zhuge Liang's Stone Sentinel Maze.
The subject of a sage on a donkey, sometimes followed by an attendant holding a branch of prunus, has been variously interpreted. Ka Bo Tsang has noted that this particular figure could also be the Tang-dynasty scholar, poet and recluse Meng Haoran, who was reputed to have admired prunus blossoms. For further discussion, see Ka Bo Tsang, ‘Who is the Rider on the Donkey?’, Journal of the International Chinese Snuff Bottle Society, Summer 1994, pages 4-16, fig. 14. Another possibility is that the figure represents the 5th century poet Lu Kai, from the Song State (420-479) of the Southern Dynasties period, who is shown travelling in Jiangnan accompanied by his attendant who carries a branch of prunus blossoms. Lu sends these blossoms hundreds of miles north to his friend, the historian Fan Ye (398-445) in Chang'an, with a poem, the last line of which reads: 'I send you merely a branch of spring'.
Auction result comparison:
Type: Closely related
Auction: Bonhams Hong Kong, 28 November 2011, lot 11
Price: HKD 644,000 or approx. EUR 104,000 converted and adjusted for inflation at the time of writing
Description: A dendritic agate ‘Lu Shang’ snuff bottle, the Cameo Ink-play Master, possibly imperial, official school, 1770-1860
Expert remark: Compare the closely related manner and style of carving, see also expert’s note above for further details. Note that this bottle is also attributed to the Cameo Ink-play Master.
Auction result comparison:
Type: Related
Auction: Sotheby’s Hong Kong, 26 May 2013, lot 103
Price: HKD 250,000 or approx. EUR 37,000 converted and adjusted for inflation at the time of writing
Description: An agate ‘monk’ snuff bottle, possibly imperial, official school, Qing dynasty, late 18th/19th century
Expert remark: Compare the related stone and manner of carving. Note that this bottle is also attributed to the Cameo Ink-play Master.
点此阅读中文翻译 (Chinese Translation)
瑪瑙《黃承彥》鼻煙壺，或爲御製
中國，北京，1770-1860 年。平口，直頸，溜肩，圈足。正面雕刻著騎毛驢的黃承彥，其後侍童手持一枝梅花。 背面刻有一隻鳥飛向梅樹枝。
來源：Robert Kleiner & Co. Ltd.，英國倫敦，2002 年；英國私人收藏，購自上述機藝廊。隨附 Robert Kleiner & Co. Ltd. 於 2002 年 11 月 25 日開具的原始發票副本，描述爲玉髓鼻煙壺，並註明購買價格為 6,000 英鎊或約 15,500 歐元（在撰寫本文時已根據通貨膨脹進行換算和調整）。Robert Kleiner（1948-2014）是一位重要的中國鼻煙壺專家，他在倫敦蘇富比中國藝術部門度過漫長的職業生涯。他與Hugh Moss和Bob Hall一起成為Mary 與 George Bloch收藏的重要顧問，Robert撰寫並製作了他們的第一個鼻煙壺目錄。
品相：狀況良好，有輕微磨損和磕損，具有天然裂縫並含有絮狀物。
壺蓋：瑪瑙
重量：97.7 克
尺寸：高 77 毫米, 頸部直徑21毫米與壺口直徑 8.5毫米
拍賣結果比較：
形制：非常相近
拍賣：香港邦瀚斯，2011年11月28日，lot 11
價格：HKD 644,000（相當於今日EUR 104,000）
描述：瑪瑙巧雕太公釣魚鼻煙壺，巧雕大師，或御製品，頒賜品，1770-1860
專家評論：比較非常相近的雕刻風格，詳細資訊請見專家註釋。請注意此鼻煙壺可能是仿巧雕大師。
拍賣結果比較：
形制：相近
拍賣：香港蘇富比，2013年5月26日，lot 103
價格：HKD 250,000（相當於今日EUR 37,000）
描述：清十八世紀末 / 十九世紀巧色瑪瑙「珮璧人物」圖鼻煙壺 或御製
專家評論：比較相近的石色和雕刻風格。請注意此鼻煙壺可能是仿巧雕大師。
Expert’s note: The work of the artistic genius ‘Cameo Ink-play Master’ is analyzed and discussed in detail by Hugh Moss, Victor Graham, and Ka Bo Tsang in A Treasury of Chinese Snuff Bottles: The Mary and George Bloch Collection, volume 2, numbers 319-325. With the aid of these examples, it becomes quite clear that a single hand is at work, as the group exhibits stylistic motifs which are highly individualistic and do not appear on most cameo agate-style bottles. All these characteristics are apparent on the present bottle. It is remarkably well hollowed and polished on the exterior to a magnificent gloss. There is a whitish inclusion on the front which is skillfully used to depict the face. All areas of colored material have been incorporated into the design. Other areas of the design are carved directly onto the colorless ground. Two signature motifs are present in the current snuff bottle: the single brown prunus blossom (see ibidem, number 319), and the use of a horizontal band of color near the neck to depict part of a branch in the manner of a brushstroke (see ibidem, number 325).
China, Beijing, 1770-1860. Of ovoid shape supported on a well-carved foot rim, finely carved to the front with Huang Chenyen riding a donkey, followed by a boy attendant carrying a spray of prunus. The reverse carved with a bird swooping towards a prunus branch, with a smaller spray on the neck.
Provenance: Robert Kleiner & Co. Ltd., London, United Kingdom, 2002. A private collection in the United Kingdom, acquired from the above. A copy of the original invoice from Robert Kleiner & Co. Ltd., dated 25 November 2002, describing the present lot as a chalcedony snuff bottle, confirming the attribution to the Cameo Ink-play Master and the dating above, and stating a purchase price for the present lot of GBP 6,000 or approx. EUR 15,500 (converted and adjusted for inflation at the time of writing), accompanies this lot. Robert Kleiner (1948-2014) was an important expert of Chinese snuff bottles, beginning his lengthy career at the Sotheby’s Chinese Art department in London. Along with Hugh Moss and Bob Hall, he became a key advisor to the Mary and George Bloch collection, and it was Robert who wrote and produced the very first catalog of their bottles.
Condition: Excellent condition with minor old wear and microscopic nibbling to exposed areas, possibly inherent to carving. The stone with natural fissures and inclusions.
Stopper: Carnelian
Weight: 97.7 g
Dimensions: Height 77 mm, Diameter neck 21 mm and mouth 8.5 mm
Please click here to read the full description
Huang Chengyan was a reclusive scholar who lived during the late Eastern Han dynasty. He was known for being carefree and open-minded. He is also a minor character in the 14th century historical novel Romance of the Three Kingdoms, which romanticizes the historical events before and during the Three Kingdoms period. He first appeared in Chapter 37 when Liu Bei, Guan Yu and Zhang Fei were visiting the house of Zhuge Liang, a chancellor and regent of the state of Shu Han who married Huang’s daughter. He appeared then again in Chapter 84 after the Battle of Xiaoting, in which he led Lu Xun out of Zhuge Liang's Stone Sentinel Maze.
The subject of a sage on a donkey, sometimes followed by an attendant holding a branch of prunus, has been variously interpreted. Ka Bo Tsang has noted that this particular figure could also be the Tang-dynasty scholar, poet and recluse Meng Haoran, who was reputed to have admired prunus blossoms. For further discussion, see Ka Bo Tsang, ‘Who is the Rider on the Donkey?’, Journal of the International Chinese Snuff Bottle Society, Summer 1994, pages 4-16, fig. 14. Another possibility is that the figure represents the 5th century poet Lu Kai, from the Song State (420-479) of the Southern Dynasties period, who is shown travelling in Jiangnan accompanied by his attendant who carries a branch of prunus blossoms. Lu sends these blossoms hundreds of miles north to his friend, the historian Fan Ye (398-445) in Chang'an, with a poem, the last line of which reads: 'I send you merely a branch of spring'.
Auction result comparison:
Type: Closely related
Auction: Bonhams Hong Kong, 28 November 2011, lot 11
Price: HKD 644,000 or approx. EUR 104,000 converted and adjusted for inflation at the time of writing
Description: A dendritic agate ‘Lu Shang’ snuff bottle, the Cameo Ink-play Master, possibly imperial, official school, 1770-1860
Expert remark: Compare the closely related manner and style of carving, see also expert’s note above for further details. Note that this bottle is also attributed to the Cameo Ink-play Master.
Auction result comparison:
Type: Related
Auction: Sotheby’s Hong Kong, 26 May 2013, lot 103
Price: HKD 250,000 or approx. EUR 37,000 converted and adjusted for inflation at the time of writing
Description: An agate ‘monk’ snuff bottle, possibly imperial, official school, Qing dynasty, late 18th/19th century
Expert remark: Compare the related stone and manner of carving. Note that this bottle is also attributed to the Cameo Ink-play Master.
点此阅读中文翻译 (Chinese Translation)
瑪瑙《黃承彥》鼻煙壺，或爲御製
中國，北京，1770-1860 年。平口，直頸，溜肩，圈足。正面雕刻著騎毛驢的黃承彥，其後侍童手持一枝梅花。 背面刻有一隻鳥飛向梅樹枝。
來源：Robert Kleiner & Co. Ltd.，英國倫敦，2002 年；英國私人收藏，購自上述機藝廊。隨附 Robert Kleiner & Co. Ltd. 於 2002 年 11 月 25 日開具的原始發票副本，描述爲玉髓鼻煙壺，並註明購買價格為 6,000 英鎊或約 15,500 歐元（在撰寫本文時已根據通貨膨脹進行換算和調整）。Robert Kleiner（1948-2014）是一位重要的中國鼻煙壺專家，他在倫敦蘇富比中國藝術部門度過漫長的職業生涯。他與Hugh Moss和Bob Hall一起成為Mary 與 George Bloch收藏的重要顧問，Robert撰寫並製作了他們的第一個鼻煙壺目錄。
品相：狀況良好，有輕微磨損和磕損，具有天然裂縫並含有絮狀物。
壺蓋：瑪瑙
重量：97.7 克
尺寸：高 77 毫米, 頸部直徑21毫米與壺口直徑 8.5毫米
拍賣結果比較：
形制：非常相近
拍賣：香港邦瀚斯，2011年11月28日，lot 11
價格：HKD 644,000（相當於今日EUR 104,000）
描述：瑪瑙巧雕太公釣魚鼻煙壺，巧雕大師，或御製品，頒賜品，1770-1860
專家評論：比較非常相近的雕刻風格，詳細資訊請見專家註釋。請注意此鼻煙壺可能是仿巧雕大師。
拍賣結果比較：
形制：相近
拍賣：香港蘇富比，2013年5月26日，lot 103
價格：HKD 250,000（相當於今日EUR 37,000）
描述：清十八世紀末 / 十九世紀巧色瑪瑙「珮璧人物」圖鼻煙壺 或御製
專家評論：比較相近的石色和雕刻風格。請注意此鼻煙壺可能是仿巧雕大師。
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Auction: THREE-DAY AUCTION - Fine Chinese Art / 中國藝術集珍 / Buddhism & Hinduism, 11th Oct, 2023
Join Zacke for a three-day live auction event featuring 741 works of art from countries as large as China, India, or Indonesia, from the Himalayan valleys and plateaus of Tibet, Nepal, Kashmir, and Pakistan, from the Southeast Asian peoples of Vietnam, Cambodia, Laos, Thailand, and Myanmar, as well as from the steppes of Central Asia to the plains of Mongolia, and from the Northern Indian basin to the island of Sri Lanka.
A pinnacle event of our autumn calendar – the flagship auction – will take place on Day 1 of the sale (lots 1-247), featuring many important pieces from renowned collections, among them an Imperial Falangcai miniature vase (lot 102), the Ming Dynasty’s largest surviving Zitan figure (lot 187), and an Imperial robe made for the Empress Dowager Cixi (lot 201).
The general auction will follow on Day 2 (lots 248-436) and on Day 3 (lots 437-748), offering items for avid art collectors and first-time buyers alike.
Notable Collector’s Provenances include the Zande Lou Collection, built by J.M. Hu, one of the world’s greatest connoisseurs of Chinese ceramics; James J. Lally, New York, a preeminent scholar of Asian art; Dr. Wou Kiuan, diplomat and founder of the Wou Lien-Pai museum; Zhang Boju, China’s celebrated art collector who was also known as one of the ‘Four Young Princes’; as well as many prestigious names such as Anton Exner, Adolphe Stoclet, Adrian Maynard, Dr. Elsa Graser, Charles Oswald Lidell, George Hathaway Taber, the Chasseloup-Laubat Family, Madame Safia Sassi, John Marsing, Leonardo Vigorelli, American tattoo artist Ed Hardy, and Academy Award winners Michael Phillips and Anthony Powell.
Historic Gallery and Dealership Provenances include Spink & Son, Galerie Jacques Barrère, Michel Beurdeley, E&J Frankel, Hugh Moss, Clare Chu, the Bernheimer Collection, Bluett & Sons, John Sparks, Marsha Vargas, Robert Kleiner, S. Bernstein & Co, Cohen & Cohen, and Michael Goedhuis.
Museum Deaccessions include the Cranmore Ethnographical Museum, the Norton Museum of Art, the Walters Art Museum, the Wou Lien-Pai, the Idemitsu, and the Zelnik István Asian Gold Museum.
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