Sold for €78,000
including Buyer's Premium
South India. Superbly modeled as 61 individual stylized buds of Arabian jasmine (Jasminum sambac), each fashioned from 18-carat solid gold and set with a ruby below an engraved foliate element, suspended from tightly woven gold filigree strings encased within further engraved interlocking floral and leaf lappets, all terminating in a broad clasp incised with a fish and secured by a removable cylindrical pin.
Provenance: From the private collection of Pierluigi and Celestina C., Milan, Italy, assembled since the 1970s. Pierluigi C. was born in Marignano, Italy, at the end of the Second World War. Trained as an architect with a strong humanistic background, his passion for the Orient emerged through his future wife, Celestina. Her interest in India had been shaped by Sonali Dasgupta, wife of Roberto Rossellini, who ran a boutique in Rome specializing in Indian jewelry and objects. By the 1970s, their shared curiosity turned into collecting, fostered through contacts with travelers returning from India and Nepal—spiritual seekers as well as scholars who often entered the antiquities trade—through whom they began assembling a wide-ranging collection from across Asia. In the 1980s, with Tibet newly reopened, they embarked on nearly two decades of journeys throughout the Himalayan regions, increasingly guided by the writings of the Italian orientalist Giuseppe Tucci. Pierluigi also studied Tibetan at the Ghe Pel Ling Institute in Milan and developed a focused research interest in Tibetan carpets, forming a collection of several hundred examples conceived for iconographic and didactic study. This work culminated in the traveling exhibition L’anno del dragone (from 1991) and in his publication Tappeti del Tibet e della vecchia Cina (1991), the first Italian-language study devoted to the subject.
Condition: Excellent condition with only minor wear and traces of use.
Weight: 292.3 g
Dimensions: Length 66 cm
Net gold value: The value of 292 grams of 18-carat gold at the time of writing was approx. EUR 30,000.
The distinctive design of the necklace derives from the ethnic Indian culture of the Tamil Nadu and Kerala region, where such necklaces would have been worn by the bride during their traditional wedding.
The form of this necklace recalls the flower garlands central to Indian secular and religious life, used to welcome guests, adorn temple deities, or bless a bride and groom. In Hindu belief, flowers carry specific divine associations: the spirit of Sridevi is thought to dwell within garlands, while Kamadeva is known as Kusumayudha (armed with flowers) and Pushpa-sara (whose arrows are flowers). Although real garlands inevitably wither, their translation into durable materials allows both form and auspicious meaning to endure, preserving what was once fleeting in a permanent medium (see Oppi Untracht, Traditional Jewelry of India, London, 1997, p. 33).
The jasmine bud necklace is particularly associated with Tamil-speaking areas in the South of India. The wearing of Jasmine buds has a long history there: the Silappatikaram, a second century Tamil epic, at one point describes the tragic lover Kovalan wearing “a garland of jasmine buds, their hearts forced open by bees” (see Usha R. Bala Krishnan and Meera Sushil Kumar, Dance of the Peacock: Jewellery Traditions of India, Mumbai, 1999, p. 102).
Literature comparison:
Compare a closely related ruby-inset gold jasmine bud necklace, dated to the 19th century, in the Metropolitan Museum of Art, object number 2008.190.308. Compare a closely related gold jasmine bud necklace inset with red semi-precious stones, dated to late 19th-early 20th century, 92 cm long, in the Freer Gallery of Art, Smithsonian Institution, accession number F1990.4, illustrated by Usha R. Bala Krishnan and Meera Sushil Kumar, Dance of the Peacock: Jewellery Traditions of India, Mumbai, 1999, p. 102, cat. no. 145, where it is dated to the 19th century. Compare a closely related ruby-inset gold jasmine bud necklace, dated to the 19th century, 82.5 cm long, in the Musée Barbier-Mueller, Geneva, and illustrated ibid., p. 103, cat. no. 146.
Auction result compareson:
Type: Closely related
Auction: Bonhams Hong Kong, 9 October 2014, lot 61
Price: HKD 500,000 or approx. EUR 70,000 converted and adjusted for inflation at the time of writing
Description: A gilt and embellished 'jasmine buds' bridal necklace, Indian, 19th century
Expert remark: Compare the closely related design and modeling of the embellished jasmine buds. Note the size (73.3 cm). Note also that in 2014, when this necklace was sold, the price for 292 g 18-carat gold was approx. EUR 9,000, while today it is approx. EUR 30,000.
#EXPERT VIDEO FAS0426#
South India. Superbly modeled as 61 individual stylized buds of Arabian jasmine (Jasminum sambac), each fashioned from 18-carat solid gold and set with a ruby below an engraved foliate element, suspended from tightly woven gold filigree strings encased within further engraved interlocking floral and leaf lappets, all terminating in a broad clasp incised with a fish and secured by a removable cylindrical pin.
Provenance: From the private collection of Pierluigi and Celestina C., Milan, Italy, assembled since the 1970s. Pierluigi C. was born in Marignano, Italy, at the end of the Second World War. Trained as an architect with a strong humanistic background, his passion for the Orient emerged through his future wife, Celestina. Her interest in India had been shaped by Sonali Dasgupta, wife of Roberto Rossellini, who ran a boutique in Rome specializing in Indian jewelry and objects. By the 1970s, their shared curiosity turned into collecting, fostered through contacts with travelers returning from India and Nepal—spiritual seekers as well as scholars who often entered the antiquities trade—through whom they began assembling a wide-ranging collection from across Asia. In the 1980s, with Tibet newly reopened, they embarked on nearly two decades of journeys throughout the Himalayan regions, increasingly guided by the writings of the Italian orientalist Giuseppe Tucci. Pierluigi also studied Tibetan at the Ghe Pel Ling Institute in Milan and developed a focused research interest in Tibetan carpets, forming a collection of several hundred examples conceived for iconographic and didactic study. This work culminated in the traveling exhibition L’anno del dragone (from 1991) and in his publication Tappeti del Tibet e della vecchia Cina (1991), the first Italian-language study devoted to the subject.
Condition: Excellent condition with only minor wear and traces of use.
Weight: 292.3 g
Dimensions: Length 66 cm
Net gold value: The value of 292 grams of 18-carat gold at the time of writing was approx. EUR 30,000.
The distinctive design of the necklace derives from the ethnic Indian culture of the Tamil Nadu and Kerala region, where such necklaces would have been worn by the bride during their traditional wedding.
The form of this necklace recalls the flower garlands central to Indian secular and religious life, used to welcome guests, adorn temple deities, or bless a bride and groom. In Hindu belief, flowers carry specific divine associations: the spirit of Sridevi is thought to dwell within garlands, while Kamadeva is known as Kusumayudha (armed with flowers) and Pushpa-sara (whose arrows are flowers). Although real garlands inevitably wither, their translation into durable materials allows both form and auspicious meaning to endure, preserving what was once fleeting in a permanent medium (see Oppi Untracht, Traditional Jewelry of India, London, 1997, p. 33).
The jasmine bud necklace is particularly associated with Tamil-speaking areas in the South of India. The wearing of Jasmine buds has a long history there: the Silappatikaram, a second century Tamil epic, at one point describes the tragic lover Kovalan wearing “a garland of jasmine buds, their hearts forced open by bees” (see Usha R. Bala Krishnan and Meera Sushil Kumar, Dance of the Peacock: Jewellery Traditions of India, Mumbai, 1999, p. 102).
Literature comparison:
Compare a closely related ruby-inset gold jasmine bud necklace, dated to the 19th century, in the Metropolitan Museum of Art, object number 2008.190.308. Compare a closely related gold jasmine bud necklace inset with red semi-precious stones, dated to late 19th-early 20th century, 92 cm long, in the Freer Gallery of Art, Smithsonian Institution, accession number F1990.4, illustrated by Usha R. Bala Krishnan and Meera Sushil Kumar, Dance of the Peacock: Jewellery Traditions of India, Mumbai, 1999, p. 102, cat. no. 145, where it is dated to the 19th century. Compare a closely related ruby-inset gold jasmine bud necklace, dated to the 19th century, 82.5 cm long, in the Musée Barbier-Mueller, Geneva, and illustrated ibid., p. 103, cat. no. 146.
Auction result compareson:
Type: Closely related
Auction: Bonhams Hong Kong, 9 October 2014, lot 61
Price: HKD 500,000 or approx. EUR 70,000 converted and adjusted for inflation at the time of writing
Description: A gilt and embellished 'jasmine buds' bridal necklace, Indian, 19th century
Expert remark: Compare the closely related design and modeling of the embellished jasmine buds. Note the size (73.3 cm). Note also that in 2014, when this necklace was sold, the price for 292 g 18-carat gold was approx. EUR 9,000, while today it is approx. EUR 30,000.
#EXPERT VIDEO FAS0426#
Our online bidding platform makes it easier than ever to bid in our auctions! When you bid through our website, you can take advantage of our premium buyer's terms without incurring any additional online bidding surcharges.
To bid live online, you'll need to create an online account. Once your account is created and your identity is verified, you can register to bid in an auction up to 12 hours before the auction begins.
When you register to bid in an online auction, you will need to share your intended maximum spending budget for the auction. We will then review your intended spend and set a bid limit for you. Once you have pre-registered for a live online auction, you can see your intended spend and bid limit by going to 'Account Settings' and clicking on 'Live Bidding Registrations'.
Your bid limit will be the maximum amount you can bid during the auction. Your bid limit is for the hammer price and is not affected by the buyer’s premium and VAT. For example, if you have a bid limit of €1,000 and place two winning bids for €300 and €200, then you will only be able to bid €500 for the rest of the auction. If you try to place a bid that is higher than €500, you will not be able to do so.
You can now leave absentee and telephone bids on our website!
Once you've created an account and your identity is verified, you can leave your absentee bid directly on the lot page. We will contact you when your bids have been confirmed.
Once you've created an account and your identity is verified, you can leave telephone bids online. We will contact you when your bids have been confirmed.
You can still submit absentee and telephone bids by email or fax if you prefer. Simply fill out the Absentee Bidding/Telephone bidding form and return it to us by email at [email protected] or by fax at +43 (1) 532 04 52 20. You can download the PDF from our Upcoming Auctions page.
How to Create Your Personal Zacke Account
How to Register to Bid on Zacke Live
How to Leave Absentee Bids Online
How to Leave Telephone Bids Online
创建新账号
注册Zacke Live在线直播竞拍(免平台费)
缺席投标和电话投标
We partner with best-in-class third-party partners to make it easy for you to bid online in the channel of your choice. Please note that if you bid with one of our third-party online partners, then there will be a live bidding surcharge on top of your final purchase price. You can find all of our fees here. Here's a full list of our third-party partners:
Please note that we place different auctions on different platforms. For example, in general, we only place Chinese art auctions on 51 Bid Live.
You must register to bid in person and will be assigned a paddle at the auction. Please contact us at [email protected] or +43 (1) 532 04 52 for the latest local health and safety guidelines.